Comparison of the body and antennae dimensions, length, width and area of the lamellae of females and males of
\r\n\tThe purpose of the book is to bring together the latest knowledge about genetic diversity by presenting the studies of some of the scientists who are engaged in development of new tools and ideas used to reveal genetic diversity, often from very different perspectives. The book should prove useful to students, researchers and experts in the area of biology, medicine and agriculture.
",isbn:"978-1-80356-945-1",printIsbn:"978-1-80356-944-4",pdfIsbn:"978-1-80356-946-8",doi:null,price:0,priceEur:0,priceUsd:0,slug:null,numberOfPages:0,isOpenForSubmission:!1,isSalesforceBook:!1,isNomenclature:!1,hash:"0b1e679fcacdec2448603a66df71ccc7",bookSignature:"Prof. Mahmut Çalışkan and Dr. Sevcan Aydin",publishedDate:null,coverURL:"https://cdn.intechopen.com/books/images_new/11643.jpg",keywords:"PCR Based Methods, Protein Based Methods, Sequencing, Conservation of Genetic Resources, Natural Variation, Molecular Markers, Genetic Manipulation in Animals, Resistance to Disease, Genetic Manipulation in Plants, Use of Microorganisms in Biotechnology, Genetic Differentiation, Gene Therapy and Gene Editing",numberOfDownloads:17,numberOfWosCitations:0,numberOfCrossrefCitations:0,numberOfDimensionsCitations:0,numberOfTotalCitations:0,isAvailableForWebshopOrdering:!0,dateEndFirstStepPublish:"April 7th 2022",dateEndSecondStepPublish:"June 16th 2022",dateEndThirdStepPublish:"August 15th 2022",dateEndFourthStepPublish:"November 3rd 2022",dateEndFifthStepPublish:"January 2nd 2023",dateConfirmationOfParticipation:null,remainingDaysToSecondStep:"2 months",secondStepPassed:!0,areRegistrationsClosed:!0,currentStepOfPublishingProcess:4,editedByType:null,kuFlag:!1,biosketch:"Professor of genetics and molecular biology and Head of Biotechnology division at İstanbul University in Turkey whose main research areas include plant molecular genetics, microbial biotechnology and characterization and biotechnological use of halophilic archaeal strains.",coeditorOneBiosketch:"Associate Professor of Biotechnology Division in Department of Biology at Istanbul University in Turkey whose main research areas include genetics, environmental biotechnology and bioengineering.",coeditorTwoBiosketch:null,coeditorThreeBiosketch:null,coeditorFourBiosketch:null,coeditorFiveBiosketch:null,editors:[{id:"51528",title:"Prof.",name:"Mahmut",middleName:null,surname:"Çalışkan",slug:"mahmut-caliskan",fullName:"Mahmut Çalışkan",profilePictureURL:"https://mts.intechopen.com/storage/users/51528/images/system/51528.png",biography:"Mahmut Çalışkan is a Professor of Genetics and Molecular Biology in the Department of Biology, Biotechnology Division, Istanbul University, Turkey. He obtained a BSc from Middle East Technical University, Ankara, and a Ph.D. from the University of Leeds, England. His main research areas include the role of germin gene products during early plant development, analysis of genetic variation, polymorphisms, and the characterization and biotechnological use of halophilic archaea.",institutionString:"Istanbul University",position:null,outsideEditionCount:0,totalCites:0,totalAuthoredChapters:"1",totalChapterViews:"0",totalEditedBooks:"8",institution:{name:"Istanbul University",institutionURL:null,country:{name:"Turkey"}}}],coeditorOne:{id:"462767",title:"Dr.",name:"Sevcan",middleName:null,surname:"Aydin",slug:"sevcan-aydin",fullName:"Sevcan Aydin",profilePictureURL:"https://s3.us-east-1.amazonaws.com/intech-files/0033Y00003QRfRpQAL/Profile_Picture_2022-03-24T08:49:06.jpg",biography:"Sevcan Aydın is an Associate Professor of Biotechnology Division in Department of Biology at Istanbul University in Türkiye. 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From chapter submission and review to approval and revision, copyediting and design, until final publication, I work closely with authors and editors to ensure a simple and easy publishing process. I maintain constant and effective communication with authors, editors and reviewers, which allows for a level of personal support that enables contributors to fully commit and concentrate on the chapters they are writing, editing, or reviewing. I assist authors in the preparation of their full chapter submissions and track important deadlines and ensure they are met. I help to coordinate internal processes such as linguistic review, and monitor the technical aspects of the process. As an ASM I am also involved in the acquisition of editors. 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Outstanding structural differences between males and females of many species of beetles have been described by naturalist and scientists during the last 200 years. Most part of such differences is located on the head and prothorax of males, such as in the form and size of the mandibles, length of antennal or palpi segments, horn-like structures on the frons or on the pronotal surface. Other differences are found in the size of whole body, development of elytra and hind wings, as well as in the length of fore and hind legs, or in the shape of pygidial plate. Less frequent is the strong difference in color or body vestiture. Flightless females are commonly found in species of many families, but larval-like females are the rule into the species of Phengodidae [1,2,3,4]. Sexual dimorphism is more common in the species of the suborder Polyphaga than in the suborder Adephaga, and appears to be a recent feature, because few fossil specimens of diverse families dated from Pliocene and Pleistocene shown dimorphic structures [5,6,7].
“A most remarkable distinction between the sexes of many beetles is presented by the great horns which rise from the head, thorax and clypeus of the males... These horns, in the great family of Lamellicorns, resemble those of various quadrupeds, such as stags, rhinoceroses, etc. and are wonderful both from their size and diversified shapes. … The females generally exhibit rudiments of the horns in the form of small knobs or ridges; but some are destitute of even a rudiment…. The extraordinary size of the horns, and their widely different structure in closely-allied forms, indicate that they have been formed for some important purpose; but their excessive variability in the males of the same species leads to the inference that this purpose cannot be of a definite nature. … The most obvious conjecture is that they are used by the males for fighting together; but they never had been observed to fight…” [8].
Members of the superfamily Scarabaeoidea (Lamellicornia and Pectinicornia) exhibit ones of the most striking dimorphic structures of the beetle species. Cephalic horn-like projections are present in the males of species from the subfamilies Dynastinae, Rutelinae, Cetoniinae, Scarabaeinae, and Geotrupinae. Much enlarged mandibles are common in the males of the subfamilies Lucaninae, Dorcinae, Lampriminae, Chiasognathinae and Odontolabinae. Males of Melolonthinae, Rutelinae and Pleocomidae frequently show the segments of the antennal club enlarged and expanded. Pronotal horn-like or tooth-like projections are developed in the males of the subfamilies Dynastinae, Cetoniinae, Scarabaeinae, Geotrupinae and Orphninae. Much enlarged fore legs (femur, tibia, tarsus) are characteristic in males of the subfamily Euchirinae, meanwhile males of the genus
Following the classification of [11] updated by [12], the family Melolonthidae (“melolonthids”) is formed by the world wide members of Melolonthinae (sensu lato), Rutelinae and Dynastinae. Some species of these subfamilies are famous by it striking sexual differences. First example, each antenna of the male of
Second example, metasternum of the male of
Third example, horn-like projections on the head and pronotum of
A large number of observations on captive Hercules beetles in Venezuela support the following comments: “The sequence of the beetle encounter is unvarying. The two meet head on, and the projecting horns touch and click, spread wide and close, the whole object of the opening phase being to get a grip outside the opponent’s horns. When the four horns are closed together, there is a deadlock. All force in now given to pinching, with the apparent desire to crush and injure some part of head or thorax. Again and again, both opponents back away, freeing their weapons, and then rush in for a fresh grip. Once this hold is attained and a firm grip secured, the beetle rears up and up to an unbelievably vertical stance. At the zenith of this pose it rests upon the tip of the abdomen and the tarsi of the hind legs, the remaining four legs outstretched in mid air, and the opponent held sideways, kicking impotently… after 2-8 seconds the victim is slammed down or is carried away … before to banging to earth will take place” [15]. Other academics discussed on the essential components of such phenomenon or on details of the above described behavior, as [16] who comments: “The display of species showing extreme intrasexual selection function both to attract females to intimidate other males. Precopulatory displays are short or absent. The male Hercules beetle, for example, evidently engages in none whatever. Occasionally he picks a female up and carries her aimlessly about for a short while, but the significance of the behavior is unknown. During both transportation and copulation the female remains outwardly passive”. With elegance and precision, [17] objectively wrote: “The only function for beetle horns which has been confirmed by detailed observations is that of weapons for use in intraspecific fights. Many horn designs remain to be studied… More data are needed to answer outstanding questions about the significance of multiple horn designs and the selective pressures favoring fighting in some species. Several factors may have predisposed beetles to evolve horns more readily than other insects”.
The males of nearly all the species of Melolonthidae usually present a number of small structural differences more or less directly associated with the search of females and coupling behavior. Most of these modifications are located in the legs, as tarsal pads, specially curved tarsal claws, tibial spurs, rows of tarsal setae, etc. Other modifications are developed on the last sternites and pygidial plate [18]. Many of these are frequently applied as taxonomic characters, but it function remain generalized. Few studies on the allometric growth of hypertelic structures in species with strong sexual dimorphism had been published in Mexico [19,20].
Scarce research had been carried on the microstructures, mainly on those related with sensorial functions, as the diverse types of sensilla placed on the lamellar surfaces of antennomeres such as was detailed by [21]. These structures were briefly studied in some Mexican species by [18,22,23,24]. The structure, distribution and function of the antennal sensilla reveal much interest, because represent the main way to understand the pre-reproductive behavior, and the evolution of the chemical communication in this group of insects.
Sexual chemical communication in some Melolonthidae involves the production and release of specific chemicals by the emitter and the detection and olfactory processing of these signals leading to appropriate behavioral responses in the receiver [25]. Chemicals released from melolonthid females are captured in the sensilla located on both sides of male antennal lamellae [21,18,26]. The genus
After taxonomical identification using the keys proposed by Morón [18], females and males of
Antennae from females and males of each species were kept in 10% KOH at 80ºC for 60 min, rinsed in distilled water, and placed in 70% ethanol in order to separate the lamellae, which were then dehydrated in 80%, 90%, and absolute ethanol. Lamellae were placed in xylene during 10 min for clearing, mounted in Canadian balsam and observed under a light microscope (Iroscope, Mod. MG-11J). Images from these slides and from non-cleared lamellae were obtained with a photo-microscope III (Carl Zeiss) and a Tessovar microscope (Carl Zeiss), both including a PaxCam 3 digital camera.
Lamellae from additional specimens were prepared following the methods proposed by [29] and were examined at 25kV under a scanning electron microscope (JEOL Mod. JSM-5600LV).
Data on body, antennae and lamellae dimension for
This is one of the most noxious
Classification and terminology of sensilla types used here are based principally on [31] and in part on [21,32,27]. Six types of sensilla in both surfaces of antennal lamellae of both sexes of
Habitus of species of
Comparison of the body and antennae dimensions, length, width and area of the lamellae of females and males of
Scanning electron-micrograph of the internal surface (IN) of male
Morphological characteristics of each chemo-sensilla type are described in the Table 2.
Morphological description of each of the types of antennal sensilla observed in the lamellae of males or females of
For both sexes, PLAS type I were observed randomly distributed on internal surface (IN) of all lamellae mainly in the center, except on peripheral edges of lamellae. PLAS type II were observed randomly distributed on IN and at the peripheral edges of all lamellae in both male and females. PLAS type III were located on IN of all lamellae, principally on pit, basal, and peripheral edges in both sexes. AUS type I were observed randomly distributed on IN and peripheral edges of all lamellae for both sexes. AUS type II was observed only in male lamellae, distributed on both sides (except on the external surface of the DL). AUS type III was located only on male lamellae, randomly distributed on IN and on peripheral edges (except on the IN of DL). AUS type IV were restricted to the center of PL in males. BAS type I were observed randomly distributed mostly on IN of all club lamellae of both sexes (except on peripheral edges and on the IN of ML). BAS type II are present for both sexes, they are situated on IN and peripheral edges of all lamellae. For both sexes, BAS type III were observed randomly distributed principally on IN of all club lamellae, except on peripheral edges. BAS type IV were found only in females at the center of the IN of ML and PL. BAS type V were found only in males, mainly at the center of the IN of PL. For both sexes, COS type I are restricted principally to the center, appearing only at the IN of all club lamellae. COS type II are located in both sexes, on the floor of cuticle cavities. COS type II are restricted only to females, mostly at the center and only on the IN of all club lamellae, except on DL. COS type III are located inside cavities in the antennal cuticle. COS III are restricted principally to the center, appearing only on the IN of all club lamellae in both sexes, except on male PL. COS type IV are found only in males and are restricted to the center and IN of PL. They are located inside depressions or cavities in the antennal cuticle.
PLAS, AUS, BAS, COS, TRS and CHS were observed on
Sensilla on the antennae of female
Sensilla on the antennae of male
For both sexes, PLAS type I were observed randomly distributed on IN of all lamellae mainly in the center, except on peripheral edges of lamellae; they are rounded and elongated plates (Figures 4C-D, Table 2). PLAS type II were observed in both males and females, randomly distributed on IN of all lamellae mainly in the center; they are spherical r elliptical and thin-walled plates (Figures 4D-5D, Table 2). PLAS type III are located on both sides of all lamellae, principally on pit and peripheral edges in both sexes; they are small, elliptical, thin-walled plates or low dome-shaped plates (Figures 4B-5A, Table 2). PLAS type VIII are chemoreceptors not reported previously; they are spherical or elliptical and thin-walled plates with “human-ear” like structure in the center. PLAS VIII were observed only in males lamellae, randomly distributed on IN of DL (Figure 5C).
AUS type I were observed randomly distributed on IN of all lamellae for both sexes; they are characterized by a “rabbit-ear” shape or elliptical and thin-walled plates (Figures 4C-5C, Table 2). AUS type II were observed only in male lamellae, distributed on IN of ML and DL; they are “rabbit-ear” shaped structures, elliptical and low dome-shaped (Figures 5C-D, Table 2). AUS type III were located only on male lamellae, randomly distributed on IN of lamella center (except on the IN of DL); they are characterized by a “human-ear” shape (Figures 5E,\n\t\t\t\tTable 2). AUS type IV were restricted to the center of PL in both sexes; their shape is characterized as “rabbit-ear with neck” or “raisin with neck” structures (Figure 4F,\n\t\t\t\tTable 2).
BAS type I were observed randomly distributed mostly on IN of all club lamellae of both sexes (except on peripheral edges and on the external surface of ML); they are large peg- or cone-shaped (Figures 4E-5B, Table 2). BAS type II are short-spine shaped; for both sexes, they are situated on both sides of all lamellae (Figure 5D,\n\t\t\t\tTable 2). BAS type III were observed for both sexes distributed on both sides of all lamellae; they are short-cone shaped (Figures 4F-5A, Table 2). BAS type IV were found randomly distributed on IN of all club lamellae of both sexes of PL and DL; they are serrated-cone shaped (Figures 4C-5B-5F, Table 2). BAS type V were found only in males, mainly at the center of the IN of PL; they are long-rod shaped (Figure 5F,\n\t\t\t\tTable 2).
For both sexes, COS type I are restricted principally to the center, appearing only at the IN of all club lamellae. They are found as aggregations of 2 to 16 long peg- or cone-shaped structures (BAS I) located inside depressions or cavities in the antennal cuticle (Figures 4 and 5, Table 2). COS type II were found as aggregations of two to three serrated cone-shaped structures (BAS IV) located on the floor of cuticle cavities. These cavities vary in size between 11.58 and 17.54 μm on the largest axis. COS type III are restricted principally to the center, appearing only on IN of male PL (Figure 5F,\n\t\t\t\tTable 2).
As described in this chapter, in the melolonthids there is a marked sexual dimorphism at different levels. In the case of the members of the genus
In
The morphological study for
Comparison of the different sensilla types of the lamellae of females and males of
A. Aragón (BUAP) helped with collection of specimens of
The Onlife Manifesto [1] emphasizes the need to reengineer key concepts in our societies in order to enable a deeper understanding of the hyper-connected reality in which we all live today. This chapter addresses this need for new conceptual frameworks to guide our minds and our actions in appropriating and governing ICT starting from an important aspect of computing identified 28 years ago within the user interface design community: The dramatic nature of the interaction between humans and computer agents, either software agents or more tangible ones such as robots and AI-enabled machines and devices. To better understand the dramatic nature of these interactions a conceptual framework traditionally used to describe and study theater is really illuminating and opens up an interesting exploration of important implications on issues identified by The Onlife Initiative [1]. This framework has special focus on the so called whole action, i.e. human activity that is complete in terms of goals pursued, loaded with meaning and can be logically justified and interpreted. Whole action in theater is related to the concept of plot and subsumes notions of form and genre and the patterns that define them. In the case of dramatic interactions between humans and computer agents, whole action is collaboratively shaped by the designer of the computer agents and the interacting humans, thus varying in each interactive session.
Decades ago scholars and researchers in social sciences have argued that people act towards things based on the meaning that they attribute to these things and to the relation of themselves with these things [2]. These meanings are grounded in social interaction and modified through interpretation [3]. These symbolic interactions are transformed, through the use of ICT, into dramatic interactions employing concepts and approaches that have initially emerged within the context of theater. In particular, in a seminal book within the Human Computer Interaction domain that was initially published in 1993, Brenda Laurel [4] argues that a model based in Aristotelian Poetics can explain the deep engagement promoted by digital technologies and the emotional experiences triggered by computer agents [5].
Laurel’s book has received much attention in the last years. This is related to the fact that her ideas, although quite futuristic when initially introduced, are very well suited with the advances of input and output devices in Human Computer Interaction: Nowadays we often interact with a computer through devices other than the usual screen, keyboard and mouse. These new modalities including mobile devices, voice-operated assistants etc., make it more evident for us to understand today what Brenda Laurel first tried to show in the early ‘90s: That digital technologies are better understood and better designed if we adopt a conceptual framework that is based on theater where we frame ourselves as “interactors” in relation to “agents” that could be either humans behind the software we use or fully automated agents based on sophisticated algorithms. These “agents” can take forms that resemble living entities, thanks to the plethora of sensors, actuators and more complex input/output devices, thus blurring the distinction between human, machine and nature, as underlined by The Onlife Initiative [1].
This blurring of the living and the non-living is in a way the result of the human tendency to anthropomorphizing whatever things or entities we interact with especially if we attribute to these things or entities the qualities that are found in theatrical characters: capability to think and pursue goals. From the one hand this could be considered as a threatening situation. From another point of view, it is a way by which we humans can find meaning in our interactions and orient ourselves more effectively in complex situations involving multiple acting agents. The key to distinguish between these two extremes is more or less related to the awareness we humans have when we do such anthropomorphizing, i.e. if it is a mindful or mindless act [6].
The blurring between the virtual and the real [1] is complementary with the above and can be explained within the conceptual framework of dramatic interactions enabled with ICT by employing the key concept of engagement: the capability of ICT to establish frameworks governed by causal relationships that can be explored, understood and exploited in order to make decisions and initiate actions. This should be managed in an effective way giving to the human interactor as much control as possible to decide when, where and how she/he will be engaged with the virtual and when, where and how she/he will detach from it, or more accurately where and how she/he will move from one virtual context to another. Consider for example a situation that one suspends a Skype meeting to use a car to go to another place and continue the meeting face-to-face. Using a car entails a number of embedded systems such as the ones that control the function of the engine of the car, the flow of fuel, the brakes and the steering of the car. Consequently, the drive to another place is an experience that is in many aspects equally technology-powered as a Skype conference. Consequently, hyper-connected experiences call for a new conceptual interpretation of humans as actors in multiple stages each one with its unique characteristics and affordances.
Laurel is not the first to identify the power of theater as a model for mindful human-computer activity. After a short summary of her ideas, this chapter traces back the influence theater has in social sciences and humanities. A common route is found in the ideas of Nietzsche in one of his first works, namely “The Birth of Tragedy” [7]. There, the German philosopher reconstructs the social and political context that gave birth to ancient drama, especially tragedy, in Ancient Athens and draws important lessons that could be valid for modern societies in terms of pursuing a synthesis between the so called “Dionysian” (the power of emotions and instincts) with the “Apollonian” (the power of reason and logical thinking).
Hyper-connectivity presents an important opportunity to achieve a Dionysian—Apollonian synthesis, like the synthesis achieved, according to Nietzsche [7], in Ancient Athens. A synthesis that is also related to patterns of “dramatic interaction” in public life and especially in political life as described by Mackenzie and Porter [8] who identify what they call Method of Dramatization that links drama to political theory. This method, founded on the philosophical work of Deleuze [9], aims at determining the quality of ideas and concepts by bringing them to life in a way that is similar to the way that characters are brought to life through a playscript. In this respect, the approach presented here addresses some important constraints initially posed by Laurel [4] regarding the applicability of her theatrical approach to application domains of ICT beyond entertainment. The conclusion is that this approach, as enriched and extended following the thought of philosophers like Nietzsche, Deleuze and many scholars from social and human sciences, provides a generic framework equally applicable to all application domains of ICT addressing issues of the new reality codified with the term “hyper-connectivity” in the Onlife Manifesto [1].
The book Computers as Theater by Laurel [4] was initially published in 1993. It initiated an insightful discussion on an alternative understanding of digital technologies, an understanding that is based on theater as a model for human-human interaction and extending to human-technology interaction. Laurel underlines the fact that when using computers, people are essentially interacting with representational worlds in a way that resembles how characters interact in theatrical plays [4] (p. xvii). Laurel’s ideas were subsequently mainstreamed in computer science after the first publication of her book. The computer science field that was mainly influenced is certainly the field of Human Computer Interaction. Don Norman, cognitive expert and usability engineering pioneer, in the foreword of the second edition of the book, underlines the importance of moving from a traditional interface-oriented conception of computer systems to a theater-oriented conceptual framework:
This is indeed an important aspect of ICT: the ability to bring into life imaginary worlds. To put it in another perspective, we could argue that the power of ICT is the capability to bring into life what resides in our minds, incarnating our ideas, so that our senses can grasp and interact with these ideas. In this respect, the computer code of any software system could be considered as the “rules” that we provide to a computer system to follow in order to create entities (i.e. symbols on screens, movements of computer controlled devices etc.) that are experienced by humans in a way that helps them construct representational worlds that extend, amplify and enrich their own capacities to think, feel and act (or better, interact) with these entities and through these interactions possibly create very real effects into the actual world.
Laurel makes emphasizes once more the capability of ICT to create representations that extend human agencies when she elaborates on the concept of “interface”:
This capacity of computers to represent actions is very much related to the structure of theatrical plays:
The above comment also underlines the need to support engagement (sessions) and detachment (short or long breaks) during an activity and bridge the gaps between different sessions through reminders, prompts etc. This is an important aspect of computers as means to represent action: The capacity to support human interactors with the ability to select when, where and how they will engage with the computer supported actions and disengage if needed.
Another important concept in Laurel’s proposed framework is the notion of common ground: It refers to mutual knowledge, beliefs and assumptions between participants in an interaction, human and computer agents: All collective actions are built on common ground and its articulations. Laurel explains:
This is indeed an important point from the perspective of the need to support effective coordination between human and computer agents in hyper-connected environments. In other words, the need to design systems with appropriate “common ground” that will promote the collaboration between human and computer agents becomes critical. Such a common ground is related to the “intelligence” accommodated in computer agents from the one side and with the necessary skills and knowledge of human agents regarding the nature and the capabilities of ICT (codified with the terms digital literacy and digital fluency) on the other side. It is important to note that following the advances in AI, machine learning and other domains related to the development of smart computer agents, various initiatives are put forth the recent years addressing the need to educate the young generations in computational thinking and computer programming as a way to understand deeper the ICT and be able to participate in the digital culture in an active way [10].
In order to justify the capability of humans to combine worlds of representations created by computers and the physical world, i.e. human agency of creating mental models, Laurel emphasizes the role of imagination or fantasy and how theater creates imaginary worlds that have real world consequences [4] (pp. 35–38). Fantasy could be considered as the laboratory for virtual experiments related to problem solving. Arts can be described as the concrete representation of things initially emerging in artists’ minds. This aspect of arts to bring mental realities into existence has been identified and used from the dawn of civilization. With the advent of computers, human societies have access to a new kind of “machine”: One that can emulate any known medium, as Alan Kay (1984) observed:
Within the new social context brought about by ICT, fantasy is a core concept to understand how the “blurring between the virtual and the real” is happening. The key observation here, made by Laurel, is related to causality as a way to understand reality and interact with it in a mindful way:
It is important to understand that the “blurring of the distinction between reality and virtuality” in the hyper-connected era [1] (p. 7) is related to the transformation of real world objects into universal ones, following the above Aristotelian definition as described by Laurel. A real world object or process that has been enriched with new capabilities for interaction with humans via computer hardware and software integrated into it is more understandable in terms of causal relationships, more predictable in terms of its behaviors, less chaotic in its reactions to human actions. Consider any kind of cyber-physical system such as autonomous automobile systems, medical monitoring systems, robots, or autopilots. All these systems are essentially enhancing real world objects or processes with “computer intelligence” that makes them more human friendly: easier to understand and interact with them. Due to the embedded digital technologies the capabilities of such objects or processes seem more “natural” as they provide affordances that are more intuitive for humans interacting with them. In this respect, the meaning of the word virtual is not to be used as a synonym for artificial as in terms like virtual reality or virtual world. It is rather reframed to denote potentiality as being equally real to actuality, but in a different manner. This is exactly what Deleuze describes in his treatise of Bergsonism [12] (pp. 96–98). This potentiality that is the essence of Deleuze’s virtuality is the key concept that enables the exploration of how human Logos (reason), through causality, is transforming disconnected reality into hyper-connected stages where meaningful action and interaction is possible.
At this point, it is important to add Laurel’s [4] (p. 94) additional comment on how fantasy works, in relation to causality, offering the basis for make-believe environments:
One can see here that causality is considered far more important than real possibility. In other words, reality is better understood and given meaning if it obeys causal relationships. This is indeed very much facilitated with the use of ICT, if systems are properly designed. Consequently, one can find here an important imperative for the designers of digital technologies: To effectively support the construction of causal mental models that can then be followed in order to enhance the interactions between humans and computer agents.
It is interesting to note here that although Laurel succeeds in capturing the most intrinsic characteristics of digital technologies, the characteristics that explain their success in enabling meaningful interpretations of reality through its “virtualization”, she maintains a rather conservative view on the applicability of her ideas. The engagement that digital systems can offer to their users is considered from an entertainment point of view only:
This phenomenon of “willing suspension of disbelief” can be clearly seen in both drama and computer games where the audience and the players respectively feel for and with the characters in essentially the same way: Someone might cry when watching a film or share other feelings with the characters within a virtual setting. However, as Laurel puts it, “spreadsheets aren’t pretend!” She argues that the activity within a virtual setting should be separated from its artifacts: The representation of a text, spreadsheet, database or any other artifact residing at computers, as it is being manipulated on the screen is in fact pretend, as compared to physical artifacts like printed text or files in computer storage. The artifacts are real much like actors, lighting instruments, and scenery in a theatrical play, but the working rules related to the representations of dramatic actions or interactions are distinct from the artifacts. Consequently, it is important to understand the fact that the notion of representation is the key to understand what one can do, the affordances attributed to the artifacts. Furthermore, their special status as representations affects human emotions about them, enabling experiences that are much more pleasurable than those we regularly feel in real life, as Laurel argues. The distinguishing characteristic of the emotions triggered in a representational context is that there is no threat of pain or harm in the real world, she adds. Finally, Laurel emphasizes the playful attitude of humans when interacting with such representations and warns against the dangers this attitude may have in certain situations:
In a footnote, Laurel further analyses this distinction between the uses of computers for entertainment from the uses in other contexts:
Form another point of view, however, dramatic interaction (or meaningful performance) is not related to entertainment alone. It is also present in other kind of human activities, much more serious, as in politics and social interactions in workplaces, education, economic transactions etc. In domains where the decisions taken and the actions initiated have very important real consequences that may not be reversible as in entertainment-oriented contexts while, at the same time, exhibit clear dramatic character. In this respect, the work of important scholars from the humanities and social sciences that are linked with the so called performative turn is relevant. This is the topic of the next section.
Human behavior can be understood and analyzed by assuming that all human practices are performed so that actions can be seen as a public presentation of self. This is the conceptual basis of the methodological breakthrough titled the performative turn. The term turn signifies the trend to reverse the ontological premises that reality corresponds to particular objects, entities, and configurations that exist in and of themselves exhibiting certain essential qualities towards a new central hypothesis that objects are textures of partially coherent and partially coordinated performances existing through multiple situated practices [13].
This trend entered in cultural studies, social sciences and humanities in late 20th century and has greatly influenced disciplines like ethnology, anthropology, and sociology, bringing an alternative way to look at how members of groups and society at large interact, work, and share knowledge within the context of groups and societies [13]. The major premise is that people create and recreate meaning and knowledge in social settings through performance. And even more: The social reality itself is created through the actions of its members. Thus, the focus is redirected to “the active social construction of reality rather than its representation” [14] (p. 4).
The roots of this approach can be attributed to the need to move beyond the prevailing focus on texts or symbolic representations to capture meaning. Performance is, above all, a meaning making bodily practice. Consequently, it is related to rituals and other forms of spectacles and social practices. Moreover, performance can be related to lifeless mediating objects, such as architectural objects or, in modern days, digital systems that constitute our hyper-connected societies [15].
The performative assumption is that reality becomes in the process of knowing and it implies that the object that is known and the subject that does the knowing are co-produced in and by the same performance. This has paramount significance for the epistemological problem (what is true) and the ontological question (what is): They are both resolved (or remain unresolved) in the same moment [13]. This is a quite important and thought-provoking claim that proved very fruitful in renovating many disciplines and creating a movement towards the performative understanding of various phenomena on the one hand and the adoption of research tools that explicitly focus on the performative aspects of human behavior in order to reveal the performative aspects of life and describe them with rigor on the other hand [16]. Therefore, the idea of a “performative turn” evokes a more historical attitude, which was exhibited by individuals that have deliberatively turned away from representationalism to adopt action-oriented and embodied perspectives.
Recently, scientists and scholars from various fields have adopted performance as their research subject or method [16]. It is indeed offering an interesting framework for understanding and describing meaningful action. Beyond the main premises and the theoretical justification of the validity of performativity, one could attribute the significance of this paradigm to an inherent dramatic quality of human experience. This is one of the major claims of this chapter. Furthermore, this scholarly and scientific focus on performance that begun at the dawn of the hyper-connected era, and steadily continues to evolve as the infrastructures of the hyper-connected societies evolve as well, seems to be closely related to the capacity of digital technologies to provide new ground for dramatic interaction (i.e. meaningful bodily and symbolic actions).
One of the seminal books in establishing the performative turn in social sciences is certainly Erwin Goffman’s The Presentation of Self in Everyday Life [17]. In that book, Goffman adopts theater as a model to frame face-to-face interactions based on the assumption that when an individual interacts with other people, both at informal and formal settings within the context of social institutions, the individual tries to control the impressions of the other people, thus building a self-identity. In parallel, the other people that interact with the individual are seeking to form and obtain the identity of the individual. This framework ultimately promotes a dramaturgical analysis as a basis for microsociology employing terms such as front region vs. back region (like stage and backstage in theater) to distinguish between the playing of the individual’s role in front of the audience and the preparation of the individual respectively.
When it comes to the domain of politics Mackenzie and Porter remind us that:
In modern times, we find again this double relation between politics and theater: Not only does theater play an active role in society as an important means to influence the political understanding of citizens and their political actions, but also philosophy in general and political philosophy in particular have adopted dramatization as a method of presenting their concepts and claims. One contemporary political thinker who explicitly used dramatization as a method to bring political ideas into life and put them in action is Gilles Deleuze [9]. He adopts theater as a model for his theory of singular events claiming that theater, as any performance-based art, is based on activity that is happening in front of us in contrast with an approach that is based on symbolic representations or texts. His conception of theater is completely free of any representationalism. Drama is ultimately used as a model to frame purposeful action to interact with the world and bring real changes to the world.
In an attempt to summarize the recent discourse about performativity, three intertwined aspects could be highlighted: (a) reality is understood as incessant creation or practice; (b) matter itself is understood as entangled intrarelation; and (c) individuals do not preexist their interactions in any essentialist, objectivistic sense. As Cabitza and Simone argue:
Consequently:
By attributing to our daily lives a performative quality, the close relationship between drama as an art and drama as a social process is evident. The next section explores this relationship.
William Beeman offers a very interesting comparison and in-depth analysis of the relation between theater and other performative genres:
Furthermore, Beeman [18] identifies three descriptive dimensions that can illuminate the relation between theater and other performance genres such as public speaking (e.g. lectures, sermons), exhibitions, demonstrations etc.: (a) efficacy vs. entertainment in intent, (b) participation vs. observation in the audience’s role, and (c) symbolic representation vs. literal self-presentation in the performer’s role.
Based on the above distinction, Beeman goes on to analyze the interrelationship of stage drama, as a generalization of theater, and social drama, as an inclusive term to describe all performative genres that aim at changing actual reality, employing a scheme initially proposed by cultural anthropologist Victor Τurner [19]. This scheme is depicted below (Figure 1).
The interrelationship between social drama and esthetic (or stage) drama. The concepts depicted are based on Schechner [
The two rectangles above the horizontal line represent what is actual, visible and public while the two rectangles below the horizontal line what is hidden and virtual, i.e. implicit and internal. The left rectangles represents social drama, i.e. all performative genres related to social life. The right rectangles represents any genre of cultural performance, any kind of aesthetic or stage drama. The interesting point is how these parts communicate (following the arrows between rectangles) thus creating a process with four distinct feedback directions:
Manifest social drama (i.e. visible social and political action) feeds into the hidden space of esthetic drama influencing both form and content of the latter.
The latent space of stage drama feeds into manifest performance. This way, stage drama operates as an active or “magic” mirror meant to do more than entertain being a metacommentary on the major social dramas within the wider sociocultural context such as wars, revolutions, scandals, institutional changes etc.
Stage performance, within its own turn, feeds into the latent realm of social drama with its message and its rhetoric and partly account for its ritualization.
Finally, life itself stands as a mirror of art, of the stage drama, and the living perform their lives in a way that the protagonists of life are equipped with salient opinions, imageries and ideological perspectives created in stage drama.
The above feedback loop continues not as cycle but rather as a helix: At each exchange new elements are added and other elements are left behind (forgotten or discarded). Turner underlines that:
Human beings learn through experience, though all too often they repress painful experience, and perhaps the deepest experience is through drama; not through social drama, or stage drama (or its equivalent) alone, but in the circulatory or oscillatory process of their mutual and incessant modification.
Following the social-stage drama interrelationship, some interesting conclusions can be drawn on how hyper-connected activity can be framed as a unified space where stage and social drama, the real and the virtual, promote the emergence of a new synthesis between the chaos of raw reality (Dionysian) with human Logos (Apollonian) in a way similar to the vision presented by Nietzsche [7] drawing inspiration from a certain conception of Ancient Tragedy.
Tracing back the appeal of theater in Western thought as a framework to understand reality in its deepest interaction with human psyche, we reach one of Friedrich Nietzsche’s first works: The Birth of Tragedy [7]. In this book Nietzsche aims to pave a new way for meaningful life by proposing a synthesis to the dichotomy between the Dionysian and the Apollonian spirit inspired by the Ancient Greek tragedy. In Nietzsche’s view, the way to achieve a new synthesis in his times was through music.
In his effort to trace the origins of tragedy, Nietzsche makes important arguments that are, in some sense, prophetic in the way that digital technologies give rise again to the dramatic notion of life especially with respect to the relation of the spectator to the spectacle not as an esthetic relation but as an experiential one. In a comment about the origins of tragedy in general and the chorus in particular, Nietzsche [7] brings in front the argument of Schickel, who considers the chorus as the “ideal spectator”. Nietzsche contrasts this view with the usual belief that a real spectator is expected to “remain conscious of having before him a work of art, and not an empiric reality” (p. 57). And he continues with the following important remarks:
This insight of Nietzsche to consider the chorus as the impersonation of the spectator that confronts the characters on stage as real is indeed very close to the experiences promoted with virtual reality and augmented reality systems. The immersion induced in these experiences and the phenomenon of flow [21] signifies the entering of the interactor into the stage. The ideal spectator approaches the action on stage not aesthetically but empirically.
Nietzsche’s approach recalls Schiller in the celebrated Preface to his Bride of Messina:
A few pages later, Nietzsche concludes:
This is indeed an important note: The physical organization of the ancient theater brings the spectator into the stage as part of the chorus, inside the representational worlds created by the theatrical plays. However, in order to achieve this harmonious resonance between the chorus on stage and the spectators, the people of the democratic Polis, a mediator is necessary: The author of the dramatic play that is living the reality that subsequently is made visible through the theatrical play. Nietzsche notes on the qualities of this mediator:
This is indeed the ideal of virtual reality within hyper-connected activities: To provide the means to surpass the “raw reality”. The dramatist can do this without the use of additional facilities. Theater, then, is in its essence a means for creating virtual realities. And there are two options here: Either the virtual reality corresponds to actual experiences that are difficult or impossible to be reproduced in another way (e.g. historical experience that cannot be reproduced due to different technology, conceptual frameworks etc.) or it is an imagined experience. In this last case, the theater does not mimic a reference reality but creates a new reality for the first time, a reality that corresponds to the imaginative creativity of the creator.
Nietzsche compares drama with the art of rhapsodist:
In this final comment Nietzsche distinguishes drama from other art forms that assume a kind of external description of the reference reality. In drama, the reference reality is experienced from the inside in a way that spreads over all participants. This magical transformation resembles what happens inside the magic circle [22] in games where objects, behaviors and actions take unique meaning within fantasy worlds when someone goes beyond this conceptual membrane: a shield of sorts, protecting the fantasy world from the outside world.
In the ancient (and modern) theater, the spectator is invited to transform himself during the play in order to transform the world. Within the realm of hyper-connectivity the interactor is invited to take part actively in the transformation of her/his own existence and the world in parallel! The magic transformation is the basis of the dramatic art and ICT can be considered as a global form of dramatic art that breaks the barriers of the theatrical stage and brings the theatrical interaction anywhere anytime.
Laurel [4] (pp. 44–46) provides a short summary of the function of theater in ancient Athens and reminds us of the fact that the stories enacted in Ancient Tragedies were already known to the audience. The interesting thing about those performances, always given in pubic feasts with massive participation of the Athenian people, was that they provided the means for public discourse taking into account the current situation within the Polis. Within this context, the chorus played a very important role:
It is indeed important to note once more as concluding remark that tragedy (and comedy) was born in Ancient Athens within the context of a historical development that employed drama as a means for collective reflection and discourse in the Polis. Theater provided the means (stories, characters, social gatherings) to experience, not just discuss, the public issues and, this way, educate the democratic citizens, the members of the General Assembly (Ecclesia of Demos) that was the ultimate decision making body, in order to act as responsible decision makers.
It is interesting to note that Turkle attributes a rather similar function to computers, which she describes as “an evocative object, an object that fascinates disturbs equanimity, and precipitates thought.” [23] (p. 19).
Turkle and Papert directly link computers with philosophy from a performative point of view i.e. from a perspective that addresses philosophical issues not as mere texts presenting abstract ideas but as concrete things in action, as agents interacting with other agents:
Within this broader perspective, one could argue that digital technologies update theater (and representational arts in general) in their “ancient” form giving new birth to the dramatic view of social life, transforming social spaces into stages and social life to social drama in a unified hyper-connected space where stage drama and social drama are fused together as onlife drama. In such a setting we humans, as logical/social beings, are living inside two realities: The virtual reality of our concepts, our language, or ideas etc. and the actual realities of our bodies, the material requirements of our existence. Culture is the embodiment of virtual realities into actual realities (e.g. architecture, food culture, clothing, science, language etc.) specifying the way, the mode of living in order to bring our virtual realities into existence. The problem of identity and the continuous “creation” of reality within the performative approaches of social sciences and humanities reflect exactly these facts. With hyper-connectivity a new culture is emerging, or better a meta-culture in the same way that a computer is not a medium but a meta-medium that emulates all other media [11]. This new culture can be better understood and engineered if we go beyond conceptions focusing on representations and the dichotomy between the virtual and the real. The challenge is to raise our awareness of the dramatic character of the hyper-connected era that promotes performative interpretations within contexts that enrich reality with universal entities that follow causal rules thus promoting mindful actions and interactions.
This research is partly supported by the Bulgarian Ministry of Education and Science under the National Scientific Program “Information and Communication Technologies for a Single Digital Market in Science, Education and Security” approved by DCM №577/17.08.2018.
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\n\nSljedeća terminologija odnosi se na Odredbe i uvjete, te na sve naše ugovore:
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He is an academic staff member of the Department of Reproduction and Artificial Insemination, Selçuk University, Turkey. He manages several studies on sperms and embryos and is an editorial board member for several international journals. His studies include sperm cryobiology, in vitro fertilization, and embryo production in animals.",institutionString:"Selçuk University, Faculty of Veterinary Medicine",institution:null},{id:"90846",title:"Prof.",name:"Yusuf",middleName:null,surname:"Bozkurt",slug:"yusuf-bozkurt",fullName:"Yusuf Bozkurt",position:null,profilePictureURL:"https://mts.intechopen.com/storage/users/90846/images/system/90846.jpg",biography:"Yusuf Bozkurt has a BSc, MSc, and Ph.D. from Ankara University, Turkey. He is currently a Professor of Biotechnology of Reproduction in the field of Aquaculture, İskenderun Technical University, Turkey. His research interests include reproductive biology and biotechnology with an emphasis on cryo-conservation. He is on the editorial board of several international peer-reviewed journals and has published many papers. Additionally, he has participated in many international and national congresses, seminars, and workshops with oral and poster presentations. He is an active member of many local and international organizations.",institutionString:"İskenderun Technical University",institution:{name:"İskenderun Technical University",country:{name:"Turkey"}}},{id:"61139",title:"Dr.",name:"Sergey",middleName:null,surname:"Tkachev",slug:"sergey-tkachev",fullName:"Sergey Tkachev",position:null,profilePictureURL:"https://mts.intechopen.com/storage/users/61139/images/system/61139.png",biography:"Dr. Sergey Tkachev is a senior research scientist at the Institute of Fundamental Medicine and Biology, Kazan Federal University, Russia, and at the Institute of Chemical Biology and Fundamental Medicine SB RAS, Novosibirsk, Russia. He received his Ph.D. in Molecular Biology with his thesis “Genetic variability of the tick-borne encephalitis virus in natural foci of Novosibirsk city and its suburbs.” His primary field is molecular virology with research emphasis on vector-borne viruses, especially tick-borne encephalitis virus, Kemerovo virus and Omsk hemorrhagic fever virus, rabies virus, molecular genetics, biology, and epidemiology of virus pathogens.",institutionString:"Russian Academy of Sciences",institution:{name:"Russian Academy of Sciences",country:{name:"Russia"}}},{id:"310962",title:"Dr.",name:"Amlan",middleName:"Kumar",surname:"Patra",slug:"amlan-patra",fullName:"Amlan Patra",position:null,profilePictureURL:"https://mts.intechopen.com/storage/users/310962/images/system/310962.jpg",biography:"Amlan K. Patra, FRSB, obtained a Ph.D. in Animal Nutrition from Indian Veterinary Research Institute, India, in 2002. He is currently an associate professor at West Bengal University of Animal and Fishery Sciences. He has more than twenty years of research and teaching experience. He held previous positions at the American Institute for Goat Research, The Ohio State University, Columbus, USA, and Free University of Berlin, Germany. His research focuses on animal nutrition, particularly ruminants and poultry nutrition, gastrointestinal electrophysiology, meta-analysis and modeling in nutrition, and livestock–environment interaction. He has authored around 175 articles in journals, book chapters, and proceedings. Dr. Patra serves on the editorial boards of several reputed journals.",institutionString:null,institution:{name:"West Bengal University of Animal and Fishery Sciences",country:{name:"India"}}},{id:"53998",title:"Prof.",name:"László",middleName:null,surname:"Babinszky",slug:"laszlo-babinszky",fullName:"László Babinszky",position:null,profilePictureURL:"https://mts.intechopen.com/storage/users/53998/images/system/53998.png",biography:"László Babinszky is Professor Emeritus, Department of Animal Nutrition Physiology, University of Debrecen, Hungary. He has also worked in the Department of Animal Nutrition, University of Wageningen, Netherlands; the Institute for Livestock Feeding and Nutrition (IVVO), Lelystad, Netherlands; the Agricultural University of Vienna (BOKU); the Institute for Animal Breeding and Nutrition, Austria; and the Oscar Kellner Research Institute for Animal Nutrition, Rostock, Germany. In 1992, Dr. Babinszky obtained a Ph.D. in Animal Nutrition from the University of Wageningen. His main research areas are swine and poultry nutrition. He has authored more than 300 publications (papers, book chapters) and edited four books and fourteen international conference proceedings.",institutionString:"University of Debrecen",institution:{name:"University of Debrecen",country:{name:"Hungary"}}},{id:"201830",title:"Dr.",name:"Fernando",middleName:"Sanchez",surname:"Davila",slug:"fernando-davila",fullName:"Fernando Davila",position:null,profilePictureURL:"https://mts.intechopen.com/storage/users/201830/images/5017_n.jpg",biography:"I am a professor at UANL since 1988. My research lines are the development of reproductive techniques in small ruminants. We also conducted research on sexual and social behavior in males.\nI am Mexican and study my professional career as an engineer in agriculture and animal science at UANL. Then take a masters degree in science in Germany (Animal breeding). Take a doctorate in animal science at the UANL.",institutionString:null,institution:{name:"Universidad Autónoma de Nuevo León",country:{name:"Mexico"}}},{id:"309250",title:"Dr.",name:"Miguel",middleName:null,surname:"Quaresma",slug:"miguel-quaresma",fullName:"Miguel Quaresma",position:null,profilePictureURL:"https://mts.intechopen.com/storage/users/309250/images/9059_n.jpg",biography:"Miguel Nuno Pinheiro Quaresma was born on May 26, 1974 in Dili, Timor Island. He is married with two children: a boy and a girl, and he is a resident in Vila Real, Portugal. He graduated in Veterinary Medicine in August 1998 and obtained his Ph.D. degree in Veterinary Sciences -Clinical Area in February 2015, both from the University of Trás-os-Montes e Alto Douro. He is currently enrolled in the Alternative Residency of the European College of Animal Reproduction. He works as a Senior Clinician at the Veterinary Teaching Hospital of UTAD (HVUTAD) with a role in clinical activity in the area of livestock and equine species as well as to support teaching and research in related areas. He teaches as an Invited Professor in Reproduction Medicine I and II of the Master\\'s in Veterinary Medicine degree at UTAD. Currently, he holds the position of Chairman of the Portuguese Buiatrics Association. He is a member of the Consultive Group on Production Animals of the OMV. He has 19 publications in indexed international journals (ISIS), as well as over 60 publications and oral presentations in both Portuguese and international journals and congresses.",institutionString:"University of Trás-os-Montes and Alto Douro",institution:{name:"University of Trás-os-Montes and Alto Douro",country:{name:"Portugal"}}},{id:"38652",title:"Prof.",name:"Rita",middleName:null,surname:"Payan-Carreira",slug:"rita-payan-carreira",fullName:"Rita Payan-Carreira",position:null,profilePictureURL:"https://s3.us-east-1.amazonaws.com/intech-files/0030O00002bRiFPQA0/Profile_Picture_1614601496313",biography:"Rita Payan Carreira earned her Veterinary Degree from the Faculty of Veterinary Medicine in Lisbon, Portugal, in 1985. She obtained her Ph.D. in Veterinary Sciences from the University of Trás-os-Montes e Alto Douro, Portugal. After almost 32 years of teaching at the University of Trás-os-Montes and Alto Douro, she recently moved to the University of Évora, Department of Veterinary Medicine, where she teaches in the field of Animal Reproduction and Clinics. Her primary research areas include the molecular markers of the endometrial cycle and the embryo–maternal interaction, including oxidative stress and the reproductive physiology and disorders of sexual development, besides the molecular determinants of male and female fertility. She often supervises students preparing their master's or doctoral theses. She is also a frequent referee for various journals.",institutionString:null,institution:{name:"University of Évora",country:{name:"Portugal"}}},{id:"283019",title:"Dr.",name:"Oudessa",middleName:null,surname:"Kerro Dego",slug:"oudessa-kerro-dego",fullName:"Oudessa Kerro Dego",position:null,profilePictureURL:"https://mts.intechopen.com/storage/users/283019/images/system/283019.png",biography:"Dr. Kerro Dego is a veterinary microbiologist with training in veterinary medicine, microbiology, and anatomic pathology. Dr. Kerro Dego is an assistant professor of dairy health in the department of animal science, the University of Tennessee, Institute of Agriculture, Knoxville, Tennessee. He received his D.V.M. (1997), M.S. (2002), and Ph.D. (2008) degrees in Veterinary Medicine, Animal Pathology and Veterinary Microbiology from College of Veterinary Medicine, Addis Ababa University, Ethiopia; College of Veterinary Medicine, Utrecht University, the Netherlands and Western College of Veterinary Medicine, University of Saskatchewan, Canada respectively. He did his Postdoctoral training in microbial pathogenesis (2009 - 2015) in the Department of Animal Science, the University of Tennessee, Institute of Agriculture, Knoxville, Tennessee. Dr. Kerro Dego’s research focuses on the prevention and control of infectious diseases of farm animals, particularly mastitis, improving dairy food safety, and mitigation of antimicrobial resistance. Dr. Kerro Dego has extensive experience in studying the pathogenesis of bacterial infections, identification of virulence factors, and vaccine development and efficacy testing against major bacterial mastitis pathogens. Dr. Kerro Dego conducted numerous controlled experimental and field vaccine efficacy studies, vaccination, and evaluation of immunological responses in several species of animals, including rodents (mice) and large animals (bovine and ovine).",institutionString:"University of Tennessee at Knoxville",institution:{name:"University of Tennessee at Knoxville",country:{name:"United States of America"}}},{id:"251314",title:"Dr.",name:"Juan Carlos",middleName:null,surname:"Gardón Poggi",slug:"juan-carlos-gardon-poggi",fullName:"Juan Carlos Gardón Poggi",position:null,profilePictureURL:"https://mts.intechopen.com/storage/users/251314/images/system/251314.jpeg",biography:"Juan Carlos Gardón Poggi received University degree from the Faculty of Agrarian Science in Argentina, in 1983. Also he received Masters Degree and PhD from Córdoba University, Spain. He is currently a Professor at the Catholic University of Valencia San Vicente Mártir, at the Department of Medicine and Animal Surgery. He teaches diverse courses in the field of Animal Reproduction and he is the Director of the Veterinary Farm. He also participates in academic postgraduate activities at the Veterinary Faculty of Murcia University, Spain. His research areas include animal physiology, physiology and biotechnology of reproduction either in males or females, the study of gametes under in vitro conditions and the use of ultrasound as a complement to physiological studies and development of applied biotechnologies. Routinely, he supervises students preparing their doctoral, master thesis or final degree projects.",institutionString:null,institution:{name:"Valencia Catholic University Saint Vincent Martyr",country:{name:"Spain"}}},{id:"309529",title:"Dr.",name:"Albert",middleName:null,surname:"Rizvanov",slug:"albert-rizvanov",fullName:"Albert Rizvanov",position:null,profilePictureURL:"https://mts.intechopen.com/storage/users/309529/images/9189_n.jpg",biography:'Albert A. Rizvanov is a Professor and Director of the Center for Precision and Regenerative Medicine at the Institute of Fundamental Medicine and Biology, Kazan Federal University (KFU), Russia. He is the Head of the Center of Excellence “Regenerative Medicine” and Vice-Director of Strategic Academic Unit \\"Translational 7P Medicine\\". Albert completed his Ph.D. at the University of Nevada, Reno, USA and Dr.Sci. at KFU. He is a corresponding member of the Tatarstan Academy of Sciences, Russian Federation. Albert is an author of more than 300 peer-reviewed journal articles and 22 patents. He has supervised 11 Ph.D. and 2 Dr.Sci. dissertations. Albert is the Head of the Dissertation Committee on Biochemistry, Microbiology, and Genetics at KFU.\nORCID https://orcid.org/0000-0002-9427-5739\nWebsite https://kpfu.ru/Albert.Rizvanov?p_lang=2',institutionString:"Kazan Federal University",institution:{name:"Kazan Federal University",country:{name:"Russia"}}},{id:"210551",title:"Dr.",name:"Arbab",middleName:null,surname:"Sikandar",slug:"arbab-sikandar",fullName:"Arbab Sikandar",position:null,profilePictureURL:"https://mts.intechopen.com/storage/users/210551/images/system/210551.jpg",biography:"Dr. Arbab Sikandar, PhD, M. Phil, DVM was born on April 05, 1981. He is currently working at the College of Veterinary & Animal Sciences as an Assistant Professor. He previously worked as a lecturer at the same University. \nHe is a Member/Secretory of Ethics committee (No. CVAS-9377 dated 18-04-18), Member of the QEC committee CVAS, Jhang (Regr/Gen/69/873, dated 26-10-2017), Member, Board of studies of Department of Basic Sciences (No. CVAS. 2851 Dated. 12-04-13, and No. CVAS, 9024 dated 20/11/17), Member of Academic Committee, CVAS, Jhang (No. CVAS/2004, Dated, 25-08-12), Member of the technical committee (No. CVAS/ 4085, dated 20,03, 2010 till 2016).\n\nDr. Arbab Sikandar contributed in five days hands-on-training on Histopathology at the Department of Pathology, UVAS from 12-16 June 2017. He received a Certificate of appreciation for contributions for Popularization of Science and Technology in the Society on 17-11-15. He was the resource person in the lecture series- ‘scientific writing’ at the Department of Anatomy and Histology, UVAS, Lahore on 29th October 2015. He won a full fellowship as a principal candidate for the year 2015 in the field of Agriculture, EICA, Egypt with ref. to the Notification No. 12(11) ACS/Egypt/2014 from 10 July 2015 to 25th September 2015.; he received a grant of Rs. 55000/- as research incentives from Director, Advanced Studies and Research, UVAS, Lahore upon publications of research papers in IF Journals (DR/215, dated 19-5-2014.. He obtained his PhD by winning a HEC Pakistan indigenous Scholarship, ‘Ph.D. fellowship for 5000 scholars – Phase II’ (2av1-147), 17-6/HEC/HRD/IS-II/12, November 15, 2012. \n\nDr. Sikandar is a member of numerous societies: Registered Veterinary Medical Practitioner (life member) and Registered Veterinary Medical Faculty of Pakistan Veterinary Medical Council. The Registration code of PVMC is RVMP/4298 and RVMF/ 0102.; Life member of the University of Veterinary and Animal Sciences, Lahore, Alumni Association with S# 664, dated: 6-4-12. ; Member 'Vets Care Organization Pakistan” with Reference No. VCO-605-149, dated 05-04-06. :Member 'Vet Crescent” (Society of Animal Health and Production), UVAS, Lahore.",institutionString:"University of Veterinary & Animal Science",institution:{name:"University of Veterinary and Animal Sciences",country:{name:"Pakistan"}}},{id:"311663",title:"Dr.",name:"Prasanna",middleName:null,surname:"Pal",slug:"prasanna-pal",fullName:"Prasanna Pal",position:null,profilePictureURL:"https://mts.intechopen.com/storage/users/311663/images/13261_n.jpg",biography:null,institutionString:null,institution:{name:"National Dairy Research Institute",country:{name:"India"}}},{id:"202192",title:"Dr.",name:"Catrin",middleName:null,surname:"Rutland",slug:"catrin-rutland",fullName:"Catrin Rutland",position:null,profilePictureURL:"https://mts.intechopen.com/storage/users/202192/images/system/202192.png",biography:"Catrin Rutland is an Associate Professor of Anatomy and Developmental Genetics at the University of Nottingham, UK. She obtained a BSc from the University of Derby, England, a master’s degree from Technische Universität München, Germany, and a Ph.D. from the University of Nottingham. She undertook a post-doctoral research fellowship in the School of Medicine before accepting tenure in Veterinary Medicine and Science. Dr. Rutland also obtained an MMedSci (Medical Education) and a Postgraduate Certificate in Higher Education (PGCHE). She is the author of more than sixty peer-reviewed journal articles, twelve books/book chapters, and more than 100 research abstracts in cardiovascular biology and oncology. She is a board member of the European Association of Veterinary Anatomists, Fellow of the Anatomical Society, and Senior Fellow of the Higher Education Academy. Dr. Rutland has also written popular science books for the public. https://orcid.org/0000-0002-2009-4898. www.nottingham.ac.uk/vet/people/catrin.rutland",institutionString:null,institution:{name:"University of Nottingham",country:{name:"United Kingdom"}}},{id:"283315",title:"Prof.",name:"Samir",middleName:null,surname:"El-Gendy",slug:"samir-el-gendy",fullName:"Samir El-Gendy",position:null,profilePictureURL:"https://s3.us-east-1.amazonaws.com/intech-files/0030O00002bRduYQAS/Profile_Picture_1606215849748",biography:"Samir El-Gendy is a Professor of anatomy and embryology at the faculty of veterinary medicine, Alexandria University, Egypt. Samir obtained his PhD in veterinary science in 2007 from the faculty of veterinary medicine, Alexandria University and has been a professor since 2017. Samir is an author on 24 articles at Scopus and 12 articles within local journals and 2 books/book chapters. His research focuses on applied anatomy, imaging techniques and computed tomography. Samir worked as a member of different local projects on E-learning and he is a board member of the African Association of Veterinary Anatomists and of anatomy societies and as an associated author at local and international journals. Orcid: https://orcid.org/0000-0002-6180-389X",institutionString:null,institution:{name:"Alexandria University",country:{name:"Egypt"}}},{id:"246149",title:"Dr.",name:"Valentina",middleName:null,surname:"Kubale",slug:"valentina-kubale",fullName:"Valentina Kubale",position:null,profilePictureURL:"https://mts.intechopen.com/storage/users/246149/images/system/246149.jpg",biography:"Valentina Kubale is Associate Professor of Veterinary Medicine at the Veterinary Faculty, University of Ljubljana, Slovenia. Since graduating from the Veterinary faculty she obtained her PhD in 2007, performed collaboration with the Department of Pharmacology, University of Copenhagen, Denmark. She continued as a post-doctoral fellow at the University of Copenhagen with a Lundbeck foundation fellowship. She is the editor of three books and author/coauthor of 23 articles in peer-reviewed scientific journals, 16 book chapters, and 68 communications at scientific congresses. Since 2008 she has been the Editor Assistant for the Slovenian Veterinary Research journal. She is a member of Slovenian Biochemical Society, The Endocrine Society, European Association of Veterinary Anatomists and Society for Laboratory Animals, where she is board member.",institutionString:"University of Ljubljana",institution:{name:"University of Ljubljana",country:{name:"Slovenia"}}},{id:"258334",title:"Dr.",name:"Carlos Eduardo",middleName:null,surname:"Fonseca-Alves",slug:"carlos-eduardo-fonseca-alves",fullName:"Carlos Eduardo Fonseca-Alves",position:null,profilePictureURL:"https://mts.intechopen.com/storage/users/258334/images/system/258334.jpg",biography:"Dr. Fonseca-Alves earned his DVM from Federal University of Goias – UFG in 2008. He completed an internship in small animal internal medicine at UPIS university in 2011, earned his MSc in 2013 and PhD in 2015 both in Veterinary Medicine at Sao Paulo State University – UNESP. Dr. Fonseca-Alves currently serves as an Assistant Professor at Paulista University – UNIP teaching small animal internal medicine.",institutionString:null,institution:{name:"Universidade Paulista",country:{name:"Brazil"}}},{id:"245306",title:"Dr.",name:"María Luz",middleName:null,surname:"Garcia Pardo",slug:"maria-luz-garcia-pardo",fullName:"María Luz Garcia Pardo",position:null,profilePictureURL:"https://mts.intechopen.com/storage/users/245306/images/system/245306.png",biography:"María de la Luz García Pardo is an agricultural engineer from Universitat Politècnica de València, Spain. She has a Ph.D. in Animal Genetics. Currently, she is a lecturer at the Agrofood Technology Department of Miguel Hernández University, Spain. Her research is focused on genetics and reproduction in rabbits. The major goal of her research is the genetics of litter size through novel methods such as selection by the environmental sensibility of litter size, with forays into the field of animal welfare by analysing the impact on the susceptibility to diseases and stress of the does. Details of her publications can be found at https://orcid.org/0000-0001-9504-8290.",institutionString:null,institution:{name:"Miguel Hernandez University",country:{name:"Spain"}}},{id:"350704",title:"M.Sc.",name:"Camila",middleName:"Silva Costa",surname:"Ferreira",slug:"camila-ferreira",fullName:"Camila Ferreira",position:null,profilePictureURL:"https://mts.intechopen.com/storage/users/350704/images/17280_n.jpg",biography:"Graduated in Veterinary Medicine at the Fluminense Federal University, specialist in Equine Reproduction at the Brazilian Veterinary Institute (IBVET) and Master in Clinical Veterinary Medicine and Animal Reproduction at the Fluminense Federal University. She has experience in analyzing zootechnical indices in dairy cattle and organizing events related to Veterinary Medicine through extension grants. I have experience in the field of diagnostic imaging and animal reproduction in veterinary medicine through monitoring and scientific initiation scholarships. I worked at the Equus Central Reproduction Equine located in Santo Antônio de Jesus – BA in the 2016/2017 breeding season. I am currently a doctoral student with a scholarship from CAPES of the Postgraduate Program in Veterinary Medicine (Pathology and Clinical Sciences) at the Federal Rural University of Rio de Janeiro (UFRRJ) with a research project with an emphasis on equine endometritis.",institutionString:null,institution:null},{id:"41319",title:"Prof.",name:"Lung-Kwang",middleName:null,surname:"Pan",slug:"lung-kwang-pan",fullName:"Lung-Kwang Pan",position:null,profilePictureURL:"https://mts.intechopen.com/storage/users/41319/images/84_n.jpg",biography:null,institutionString:null,institution:null},{id:"125292",title:"Dr.",name:"Katy",middleName:null,surname:"Satué Ambrojo",slug:"katy-satue-ambrojo",fullName:"Katy Satué Ambrojo",position:null,profilePictureURL:"https://mts.intechopen.com/storage/users/125292/images/system/125292.jpeg",biography:"Katy Satué Ambrojo received her Veterinary Medicine degree, Master degree in Equine Technology and doctorate in Veterinary Medicine from the Faculty of Veterinary, CEU-Cardenal Herrera University in Valencia, Spain.Dr. Satué is accredited as a Private University Doctor Professor, Doctor Assistant, and Contracted Doctor by AVAP (Agència Valenciana d'Avaluació i Prospectiva) and currently, as a full professor by ANECA (since January 2022). To date, Katy has taught 22 years in the Department of Animal Medicine and Surgery at the CEU-Cardenal Herrera University in undergraduate courses in Veterinary Medicine (General Pathology, integrated into the Applied Basis of Veterinary Medicine module of the 2nd year, Clinical Equine I of 3rd year, and Equine Clinic II of 4th year). Dr. Satué research activity is in the field of Endocrinology, Hematology, Biochemistry, and Immunology in the Spanish Purebred mare. She has directed 5 Doctoral Theses and 5 Diplomas of Advanced Studies, and participated in 11 research projects as a collaborating researcher. She has written 2 books and 14 book chapters in international publishers related to the area, and 68 scientific publications in international journals. Dr. Satué has attended 63 congresses, participating with 132 communications in international congresses and 19 in national congresses related to the area. Dr. Satué is a scientific reviewer for various prestigious international journals such as Animals, American Journal of Obstetrics and Gynecology, Veterinary Clinical Pathology, Journal of Equine Veterinary Science, Reproduction in Domestic Animals, Research Veterinary Science, Brazilian Journal of Medical and Biological Research, Livestock Production Science and Theriogenology, among others. Since 2014 she has been responsible for the Clinical Analysis Laboratory of the CEU-Cardenal Herrera University Veterinary Clinical Hospital.",institutionString:null,institution:null},{id:"201721",title:"Dr.",name:"Beatrice",middleName:null,surname:"Funiciello",slug:"beatrice-funiciello",fullName:"Beatrice Funiciello",position:null,profilePictureURL:"https://mts.intechopen.com/storage/users/201721/images/11089_n.jpg",biography:"Graduated from the University of Milan in 2011, my post-graduate education included CertAVP modules mainly on equines (dermatology and internal medicine) and a few on small animal (dermatology and anaesthesia) at the University of Liverpool. After a general CertAVP (2015) I gained the designated Certificate in Veterinary Dermatology (2017) after taking the synoptic examination and then applied for the RCVS ADvanced Practitioner status. After that, I completed the Postgraduate Diploma in Veterinary Professional Studies at the University of Liverpool (2018). My main area of work is cross-species veterinary dermatology.",institutionString:null,institution:null},{id:"291226",title:"Dr.",name:"Monica",middleName:null,surname:"Cassel",slug:"monica-cassel",fullName:"Monica Cassel",position:null,profilePictureURL:"https://mts.intechopen.com/storage/users/291226/images/8232_n.jpg",biography:'Degree in Biological Sciences at the Federal University of Mato Grosso with scholarship for Scientific Initiation by FAPEMAT (2008/1) and CNPq (2008/2-2009/2): Project \\"Histological evidence of reproductive activity in lizards of the Manso region, Chapada dos Guimarães, Mato Grosso, Brazil\\". Master\\\'s degree in Ecology and Biodiversity Conservation at Federal University of Mato Grosso with a scholarship by CAPES/REUNI program: Project \\"Reproductive biology of Melanorivulus punctatus\\". PhD\\\'s degree in Science (Cell and Tissue Biology Area) \n at University of Sao Paulo with scholarship granted by FAPESP; Project \\"Development of morphofunctional changes in ovary of Astyanax altiparanae Garutti & Britski, 2000 (Teleostei, Characidae)\\". She has experience in Reproduction of vertebrates and Morphology, with emphasis in Cellular Biology and Histology. 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