Typology of sculpture and water elements
\\n\\n
IntechOpen was founded by scientists, for scientists, in order to make book publishing accessible around the globe. Over the last two decades, this has driven Open Access (OA) book publishing whilst levelling the playing field for global academics. Through our innovative publishing model and the support of the research community, we have now published over 5,700 Open Access books and are visited online by over three million academics every month. These researchers are increasingly working in broad technology-based subjects, driving multidisciplinary academic endeavours into human health, environment, and technology.
\\n\\nBy listening to our community, and in order to serve these rapidly growing areas which lie at the core of IntechOpen's expertise, we are launching a portfolio of Open Science journals:
\\n\\nAll three journals will publish under an Open Access model and embrace Open Science policies to help support the changing needs of academics in these fast-moving research areas. There will be direct links to preprint servers and data repositories, allowing full reproducibility and rapid dissemination of published papers to help accelerate the pace of research. Each journal has renowned Editors in Chief who will work alongside a global Editorial Board, delivering robust single-blind peer review. Supported by our internal editorial teams, this will ensure our authors will receive a quick, user-friendly, and personalised publishing experience.
\\n\\n"By launching our journals portfolio we are introducing new, dedicated homes for interdisciplinary technology-focused researchers to publish their work, whilst embracing Open Science and creating a unique global home for academics to disseminate their work. We are taking a leap toward Open Science continuing and expanding our fundamental commitment to openly sharing scientific research across the world, making it available for the benefit of all." Dr. Sara Uhac, IntechOpen CEO
\\n\\n"Our aim is to promote and create better science for a better world by increasing access to information and the latest scientific developments to all scientists, innovators, entrepreneurs and students and give them the opportunity to learn, observe and contribute to knowledge creation. Open Science promotes a swifter path from research to innovation to produce new products and services." Alex Lazinica, IntechOpen founder
\\n\\nIn conclusion, Natalia Reinic Babic, Head of Journal Publishing and Open Science at IntechOpen adds:
\\n\\n“On behalf of the journal team I’d like to thank all our Editors in Chief, Editorial Boards, internal supporting teams, and our scientific community for their continuous support in making this portfolio a reality - we couldn’t have done it without you! With your support in place, we are confident these journals will become as impactful and successful as our book publishing program and bring us closer to a more open (science) future.”
\\n\\nWe invite you to visit the journals homepage and learn more about the journal’s Editorial Boards, scope and vision as all three journals are now open for submissions.
\\n\\nFeel free to share this news on social media and help us mark this memorable moment!
\\n\\n\\n"}]',published:!0,mainMedia:{caption:"",originalUrl:"/media/original/237"}},components:[{type:"htmlEditorComponent",content:'
After years of being acknowledged as the world's leading publisher of Open Access books, today, we are proud to announce we’ve successfully launched a portfolio of Open Science journals covering rapidly expanding areas of interdisciplinary research.
\n\n\n\nIntechOpen was founded by scientists, for scientists, in order to make book publishing accessible around the globe. Over the last two decades, this has driven Open Access (OA) book publishing whilst levelling the playing field for global academics. Through our innovative publishing model and the support of the research community, we have now published over 5,700 Open Access books and are visited online by over three million academics every month. These researchers are increasingly working in broad technology-based subjects, driving multidisciplinary academic endeavours into human health, environment, and technology.
\n\nBy listening to our community, and in order to serve these rapidly growing areas which lie at the core of IntechOpen's expertise, we are launching a portfolio of Open Science journals:
\n\nAll three journals will publish under an Open Access model and embrace Open Science policies to help support the changing needs of academics in these fast-moving research areas. There will be direct links to preprint servers and data repositories, allowing full reproducibility and rapid dissemination of published papers to help accelerate the pace of research. Each journal has renowned Editors in Chief who will work alongside a global Editorial Board, delivering robust single-blind peer review. Supported by our internal editorial teams, this will ensure our authors will receive a quick, user-friendly, and personalised publishing experience.
\n\n"By launching our journals portfolio we are introducing new, dedicated homes for interdisciplinary technology-focused researchers to publish their work, whilst embracing Open Science and creating a unique global home for academics to disseminate their work. We are taking a leap toward Open Science continuing and expanding our fundamental commitment to openly sharing scientific research across the world, making it available for the benefit of all." Dr. Sara Uhac, IntechOpen CEO
\n\n"Our aim is to promote and create better science for a better world by increasing access to information and the latest scientific developments to all scientists, innovators, entrepreneurs and students and give them the opportunity to learn, observe and contribute to knowledge creation. Open Science promotes a swifter path from research to innovation to produce new products and services." Alex Lazinica, IntechOpen founder
\n\nIn conclusion, Natalia Reinic Babic, Head of Journal Publishing and Open Science at IntechOpen adds:
\n\n“On behalf of the journal team I’d like to thank all our Editors in Chief, Editorial Boards, internal supporting teams, and our scientific community for their continuous support in making this portfolio a reality - we couldn’t have done it without you! With your support in place, we are confident these journals will become as impactful and successful as our book publishing program and bring us closer to a more open (science) future.”
\n\nWe invite you to visit the journals homepage and learn more about the journal’s Editorial Boards, scope and vision as all three journals are now open for submissions.
\n\nFeel free to share this news on social media and help us mark this memorable moment!
\n\n\n'}],latestNews:[{slug:"webinar-introduction-to-open-science-wednesday-18-may-1-pm-cest-20220518",title:"Webinar: Introduction to Open Science | Wednesday 18 May, 1 PM CEST"},{slug:"step-in-the-right-direction-intechopen-launches-a-portfolio-of-open-science-journals-20220414",title:"Step in the Right Direction: IntechOpen Launches a Portfolio of Open Science Journals"},{slug:"let-s-meet-at-london-book-fair-5-7-april-2022-olympia-london-20220321",title:"Let’s meet at London Book Fair, 5-7 April 2022, Olympia London"},{slug:"50-books-published-as-part-of-intechopen-and-knowledge-unlatched-ku-collaboration-20220316",title:"50 Books published as part of IntechOpen and Knowledge Unlatched (KU) Collaboration"},{slug:"intechopen-joins-the-united-nations-sustainable-development-goals-publishers-compact-20221702",title:"IntechOpen joins the United Nations Sustainable Development Goals Publishers Compact"},{slug:"intechopen-signs-exclusive-representation-agreement-with-lsr-libros-servicios-y-representaciones-s-a-de-c-v-20211123",title:"IntechOpen Signs Exclusive Representation Agreement with LSR Libros Servicios y Representaciones S.A. de C.V"},{slug:"intechopen-expands-partnership-with-research4life-20211110",title:"IntechOpen Expands Partnership with Research4Life"},{slug:"introducing-intechopen-book-series-a-new-publishing-format-for-oa-books-20210915",title:"Introducing IntechOpen Book Series - A New Publishing Format for OA Books"}]},book:{item:{type:"book",id:"277",leadTitle:null,fullTitle:"Principles in Contemporary Orthodontics",title:"Principles in Contemporary Orthodontics",subtitle:null,reviewType:"peer-reviewed",abstract:"Orthodontics is a fast developing science as well as the field of medicine in general. The attempt of this book is to propose new possibilities and new ways of thinking about Orthodontics beside the ones presented in established and outstanding publications available elsewhere.\nSome of the presented chapters transmit basic information, other clinical experiences and further offer even a window to the future. In the hands of the reader this book could provide an useful tool for the exploration of the application of information, knowledge and belief to some orthodontic topics and questions.",isbn:null,printIsbn:"978-953-307-687-4",pdfIsbn:"978-953-51-6588-0",doi:"10.5772/692",price:159,priceEur:175,priceUsd:205,slug:"principles-in-contemporary-orthodontics",numberOfPages:598,isOpenForSubmission:!1,isInWos:1,isInBkci:!1,hash:"7834d7aad4ab1a74a9b6f417a70b6a73",bookSignature:"Silvano Naretto",publishedDate:"November 25th 2011",coverURL:"https://cdn.intechopen.com/books/images_new/277.jpg",numberOfDownloads:217972,numberOfWosCitations:41,numberOfCrossrefCitations:25,numberOfCrossrefCitationsByBook:1,numberOfDimensionsCitations:56,numberOfDimensionsCitationsByBook:2,hasAltmetrics:1,numberOfTotalCitations:122,isAvailableForWebshopOrdering:!0,dateEndFirstStepPublish:"November 3rd 2010",dateEndSecondStepPublish:"December 1st 2010",dateEndThirdStepPublish:"April 7th 2011",dateEndFourthStepPublish:"May 7th 2011",dateEndFifthStepPublish:"July 6th 2011",currentStepOfPublishingProcess:5,indexedIn:"1,2,3,4,5,6",editedByType:"Edited by",kuFlag:!1,featuredMarkup:null,editors:[{id:"34467",title:"Dr.",name:"Silvano",middleName:null,surname:"Naretto",slug:"silvano-naretto",fullName:"Silvano Naretto",profilePictureURL:"https://mts.intechopen.com/storage/users/34467/images/1898_n.jpg",biography:"Dr. Silvano Naretto is Director of the Postgraduate Course in Interceptive Orthodontic at the Department of Interdisciplinary Dentistry, Danube University Krems, Austria since 2003. He received his degree as Doctor in Medicine and Surgery from the University of Torino, Italy. His postgraduate studies in Orthodontics were done at the University of Milano, Italy and the University of Conneticut, USA. He also did postgraduate studies in oral surgery at the University of Torino. Finally, he received a Master of Science Degree from the Danube University for his postgraduate studies in „Function and Dysfunction of the Masticatory Organ“. Dr. Naretto lectures extensively in Italy, U.S.A., Japan, Portugal and Canada and serves as a scientific translator and reviewer of books in dentistry. Member of different orthodontic societies, fellow of Orofacial Pain Society and Past President of iAAID he is also part of the editorial board of IJSOM.",institutionString:null,position:null,outsideEditionCount:0,totalCites:0,totalAuthoredChapters:"0",totalChapterViews:"0",totalEditedBooks:"1",institution:null}],equalEditorOne:null,equalEditorTwo:null,equalEditorThree:null,coeditorOne:null,coeditorTwo:null,coeditorThree:null,coeditorFour:null,coeditorFive:null,topics:[{id:"999",title:"Orthodontics and Dentofacial Orthopedics",slug:"orthodontics-and-dentofacial-orthopedics"}],chapters:[{id:"24342",title:"Self-Ligating Brackets: An Overview",doi:"10.5772/20285",slug:"self-ligating-brackets-an-overview",totalDownloads:23347,totalCrossrefCites:0,totalDimensionsCites:1,hasAltmetrics:0,abstract:null,signatures:"Maen Zreaqat and Rozita Hassan",downloadPdfUrl:"/chapter/pdf-download/24342",previewPdfUrl:"/chapter/pdf-preview/24342",authors:[{id:"38245",title:"Dr.",name:"Maen",surname:"Zreaqat",slug:"maen-zreaqat",fullName:"Maen Zreaqat"},{id:"52438",title:"Dr.",name:"Rozita",surname:"Hassan",slug:"rozita-hassan",fullName:"Rozita Hassan"}],corrections:null},{id:"24343",title:"Considerations in Orthodontic Bracket Adhesion to Hypomineralized Enamel",doi:"10.5772/22252",slug:"considerations-in-orthodontic-bracket-adhesion-to-hypomineralized-enamel",totalDownloads:6406,totalCrossrefCites:0,totalDimensionsCites:0,hasAltmetrics:0,abstract:null,signatures:"Shabtai Sapir",downloadPdfUrl:"/chapter/pdf-download/24343",previewPdfUrl:"/chapter/pdf-preview/24343",authors:[{id:"46948",title:"Dr.",name:"Shabtai",surname:"Sapir",slug:"shabtai-sapir",fullName:"Shabtai Sapir"}],corrections:null},{id:"24344",title:"External Apical Root Resorption in Patients Treated with Passive Self-Ligating System",doi:"10.5772/19888",slug:"external-apical-root-resorption-in-patients-treated-with-passive-self-ligating-system",totalDownloads:3136,totalCrossrefCites:0,totalDimensionsCites:0,hasAltmetrics:0,abstract:null,signatures:"Masaru Yamaguchi and Yasuhiro Tanimoto",downloadPdfUrl:"/chapter/pdf-download/24344",previewPdfUrl:"/chapter/pdf-preview/24344",authors:[{id:"36665",title:"Prof.",name:"Masaru",surname:"Yamaguchi",slug:"masaru-yamaguchi",fullName:"Masaru Yamaguchi"},{id:"51968",title:"Prof.",name:"Yasuhiro",surname:"Tanimoto",slug:"yasuhiro-tanimoto",fullName:"Yasuhiro Tanimoto"}],corrections:null},{id:"24345",title:"Treatment of Class II Deep Overbite with Multiloop Edgewise Arch-Wire (MEAW) Therapy",doi:"10.5772/23890",slug:"treatment-of-class-ii-deep-overbite-with-multiloop-edgewise-arch-wire-meaw-therapy",totalDownloads:12768,totalCrossrefCites:1,totalDimensionsCites:1,hasAltmetrics:0,abstract:null,signatures:"Paulo Beltrão",downloadPdfUrl:"/chapter/pdf-download/24345",previewPdfUrl:"/chapter/pdf-preview/24345",authors:[{id:"54307",title:"Dr.",name:"Paulo",surname:"Beltrão",slug:"paulo-beltrao",fullName:"Paulo Beltrão"}],corrections:null},{id:"24346",title:"Sagittal Skeletal and Occlusal Changes of Class II, Division 1 Postadolescent Cases in the Herbst and Activator Therapy",doi:"10.5772/19996",slug:"sagittal-skeletal-and-occlusal-changes-of-class-ii-division-1-postadolescent-cases-in-the-herbst-and",totalDownloads:5806,totalCrossrefCites:0,totalDimensionsCites:0,hasAltmetrics:0,abstract:null,signatures:"Nenad Nedeljkovic",downloadPdfUrl:"/chapter/pdf-download/24346",previewPdfUrl:"/chapter/pdf-preview/24346",authors:[{id:"37098",title:"Dr.",name:"Nenad",surname:"Nedeljkovic",slug:"nenad-nedeljkovic",fullName:"Nenad Nedeljkovic"}],corrections:null},{id:"24347",title:"Sterilization and Disinfection in Orthodontics",doi:"10.5772/20901",slug:"sterilization-and-disinfection-in-orthodontics",totalDownloads:8468,totalCrossrefCites:3,totalDimensionsCites:5,hasAltmetrics:0,abstract:null,signatures:"Alev Aksoy, Gulcın Kılıç, Emad Hussein and Darleen Aboukhalil",downloadPdfUrl:"/chapter/pdf-download/24347",previewPdfUrl:"/chapter/pdf-preview/24347",authors:[{id:"40951",title:"Dr.",name:"Alev",surname:"Aksoy",slug:"alev-aksoy",fullName:"Alev Aksoy"},{id:"90592",title:"Dr.",name:"Emad",surname:"Hussein",slug:"emad-hussein",fullName:"Emad Hussein"},{id:"90593",title:"Dr.",name:"Gulcin",surname:"Kılıc",slug:"gulcin-kilic",fullName:"Gulcin Kılıc"},{id:"90596",title:"Dr.",name:"Darleen",surname:"Aboukhalil",slug:"darleen-aboukhalil",fullName:"Darleen Aboukhalil"}],corrections:null},{id:"24348",title:"Laser in Orthodontics",doi:"10.5772/20204",slug:"laser-in-orthodontics",totalDownloads:6829,totalCrossrefCites:1,totalDimensionsCites:7,hasAltmetrics:0,abstract:null,signatures:"Fekrazad Reza, Kalhori A.M. 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Venkateswarlu",coverURL:"https://cdn.intechopen.com/books/images_new/371.jpg",editedByType:"Edited by",editors:[{id:"58592",title:"Dr.",name:"Arun",surname:"Shanker",slug:"arun-shanker",fullName:"Arun Shanker"}],productType:{id:"1",chapterContentType:"chapter",authoredCaption:"Edited by"}}]},chapter:{item:{type:"chapter",id:"6752",title:"The Role of Public Visual Art in Urban Space Recognition",doi:"10.5772/7120",slug:"the-role-of-public-visual-art-in-urban-space-recognition",body:'\n\t\t
People in a modern city are like rats in a maze The E.C. Tolman’s experiments on the behavior of rats in mazes, performed in the 1940s, proved that both man and animals create a tentative, mental map to recognize and learn environmental relationships. The best known historical spatial form records are the waterside panoramas of numerous cities found in the landscape paintings of the 18th century (e.g. the landscape of Venice, Verona, London and Warsaw painted by Bernardo Bellotto, Canaletto).
Along with spatial expansion of 19th- and 20th-century cities, consequent development of their suburbs and mixture of forms, functions and architectural styles, a chaos crept into cities, defined by S. Chermayeff and Ch. Alexander as “modern space salad”. Modernism, introducing globally unified architectural patterns and inhuman scale urban structures, rejecting traditional harmony and hierarchy, contributed to the sense of disaffection and alienation in a big city. Simultaneously though, the same modern trends started off the revolution in visual arts. Artists’ abandoning lounges for the sake of the streets, freedom of artistic voice and expression of form, inspired a number of research on the processes of artwork perception as well as its social and even political role in the public space (Kwon, 2002).
\n\t\t\tThe paper deals with the theories on urban space recognition and the role of public art in raising the ’imageability’ of urban enclosures as well as their cultural quality and social attractiveness. The author presents the methodology of visual art location in urban public places on example of Poznan city.
\n\t\tThe ground-breaking Edward Chace Tolman’s discovery of the process of constructing and accumulating spatial knowledge, casted a new light on the perception of urban space and laid a groundwork for mental maps construction as a tool of urban structure recognition. The mental mapping method also allowed to discover what kind of attention people paid to particular places and what role artworks played in recognition and identification of urban space.
\n\t\t\tVisual space perception is a psychological cognitive process consisting in mental copying objects and events of the outer world in relation to the processes which take place in human body. The process of perception was a subject of interest for researchers in a variety of fields: psychology (Gibson, 1950; Tomaszewski, 1986; Bańka, 1999), especially behavioural and environmental psychology represented by H.M. Proshansky, T. O’Hanlon, W.H. Ittelson, L.G. Rivlin. (1977) and others, who analysed the use of behavioural maps; anthropology and sociology (Hall, 1966; Sommer, 1967; Lawson, 2001) as well as geography (Wood, 1992), urban environment research and town planning, developed by K. Lynch (1960), O. Simonds (1961), G. Cullen (1961), D. Appeleyard & J.R. Meyer (1964), Ch. Alexander (1977), A. Rapoport (1977), N.L. Prak (1977), Y.F. Tuan (1977), Ch. Norberg-Schulz (1971) and many others. Some of the fields of research interest were also the visual perception of art (Arnheim, 1954; Miles et al. 1989) and media in urban space (McLuhan, 1964; McCullough, 2004). The The theory initiated by the Berlin School at the beginning of 20th c. (German: Gestalt - "form" or "whole") explaining that "The whole is greater than the sum of the parts".
Mental identification is the link between space perception and constructing spatial knowledge. The main achievement has been the discovery of the cognitive scheme which controls the processes of perception, recognition and memorisation of physical space. As a result of these processes, a human mind creates an image of the space called a cognitive map, making it possible to transform and interpret the data. The selection and interpretation of the perceived information is performed by cultural and personal filters (Rapoport, 1977) and referred to established cultural patterns (Alexander et al, 1977).
\n\t\t\t\tAlong with examining the perception processes, scientists analysed a spatial code of the city and urban structure organisation which determine orientation and identification of the space. Many of Polish urban and landscape planners, such as J. Bogdanowski, W. Czarnecki or K. Wejchert conducted research on urban space perception as well as townscape and landscape composition, however, their achievements went unnoticed due to the Iron Curtain. Already in 1950s Władysław Czarnecki analysed the factors influencing landscape composition, which were also seen from the point of an observer in motion e.g. optical illusion, colour, foreground and background, dominants, rhythm, contrast, frames of vantage points, leading lines, dividing and closing surfaces, nodal points, solids, etc. His observations seem to be similar to later Lynch’s conclusions (Böhm, 2004, pp. 41).
\n\t\t\t\tKevin Lynch in his famous book M. Trieb enumerated: roads, borders, central points and direction marks (Stadtgestaltung, Teorie und Praxis, 1970) J. Castex & P. Pannerai singled out: roads/paths, barriers, nodes, zones and landmarks (Notes sur le structure de l’espace urbain, 1971). K. Wejchert selected similar elements of urban composition: streets, regions, border strips, dominants, outstanding elements of landscape, nodal points and distinguishing marks (Elements of Urban Composition, 1984) \n\t\t\t\t\t\t\t These discoveries have initiated landscape studies on transportation routes and the research on moving observers’ perception. They also influenced the diversity of spatial arrangement of pedestrian zones and transportation corridors (Appleyard et al, 1981).
In 1970s Michael Trieb proposed a symbolic code of sequential notation of urban plan including privileged location in space, closure, limitation of motion, spatial domination, narrowing as well as context continuation. He also emphasised the role of art and “street furniture” in spatial arrangement of public spaces. Trieb’s sequential notation was developed in 1998 by E. Cichy-Pazder, who suggested an enriched typology of determiners of perceptive identification (nodes, axis, partitions and dominant signs).
\n\t\t\tEnclosure, urban and landscape interior, “outdoor room”(Cullen) as well as “positive outdoor space” (Alexander) – all those terms, relating to the space perception, mean a limited landscape unit, built of walls, floor, ceiling (usually sky) and elements of landscape “furniture”. Aleksander Böhm emphasises the meaning of the term Goodall, B. (1987), Dictionary of Human Geography, Penguin Books, London, p. 152, cited in: Böhm, A. (2004). „Wnętrze” w kompozycji krajobrazu
K. Wejchert has developed the theory of urban enclosures, as the basic structural units of the town. In the early 1950s, on the basis of small urban settlements analysis, he singled out ‘multi-partial enclosures’ (main and added), ‘overlapping’ and ‘centripetal’ as well as illustrated examples of using ‘leading’ and ‘closing’ lines and surfaces, emphasising observation angle, proportions of enclosures and openings. Many of the phrases included in the early works by K. Wejchert, coincide with much later schemes by Motloch (Böhm, 2004, p. 38).
\n\t\t\t\tJohn L. Motloch (1991) expanded on the theory of place and continued studies on examining spatial relations of the form (furniture, sculptures, buildings) and the background (landscape and urban walls). He claimed that a city development, from the space perception, point of view should lead to the intensification of the place sense, its clarity and distinctiveness of form and meaning.
\n\t\t\t\tJ.O. Simonds (1961) remarked that the lack of the sense of interior causes discomfort. He paid attention to feelings (excitement, curiosity, limitation, concentration, relaxation etc.) as well as the possibility of controlling and sequencing the views of various landscape enclosures. (Simonds, 1998).
\n\t\t\t\tThe studies by K. Lynch’ concentrated on the identity and structure of city images. He defined ‘imageability’ as “that quality in a physical object which gives it a high probability of evoking a strong image in any given observer. It is shape, colour, or arrangement which facilitate making of vividly identified, powerfully structured, highly useful mental images of the environment. It might also be called
The behaviouristic psychology research reveals that the attributes of space which are recognised by observers concerning continuity, coherence and uniqueness enable people to identify a place (Bosky et al., 1987). After obtaining comprehensive information about the place, it is not anonymous any longer to the observers (Bańka, 1999), which is not, however, identical with identifying with the place. According to Ch. Norbert-Schulz “being in a place” means something more than localisation but results from identification with the place by feeling its character, which can be “natural”, “human”, or “spiritual”. The phenomenological experience of the character of environment, regarded as The figure of flâneur (city observer) created by Ch. Baudelaire, was adopted and analysed by Walter Benjamin in Passagen-Werk (1921-1940)
Mental maps, which are used in various fields of psychology, education and management, have also been applied in urban and landscape planning as well as architecture and visual arts. Lynch and Appleyars were pioneers in mental mapping studies. Comparing sketches, made by non-professionals, was initially aimed at research on how individuals perceive and navigate through the urban landscape. However, since 1970s this method has been frequently applied to community collaboration in town planning. “The idea that local inhabitants need to stir into the planning process the image they have of places – their personal images – has become standard practice in city planning. A well-known example involved Randy Hester and the town of Manteo, North Carolina. In 1980 […] using a variety of imaging techniques, Hester uncovered a ‘sacred structure’ of the residents’ downtown and made a map of it as a guide for development.” D. Wood: http://www.techkwondo.com/obj/pdpal_msg/PDPal_Denis_Wood.pdf
The growing influence of cyberspace on social, economic and cultural relations has been observed for the last ten years Since 1988 Internet has been made available to the commercial use, however, just ten years ago, it became a popular communication tool.
However, the potential of experimental IT supported programs gives also a chance of “reconstruction of identity” of public places as well as creation of new tools for their recognition and navigation. A popular idea based on space identification process is collaborative mapping. There are many types of collaborative maps (Google Maps, Wiki Maps etc.) which vary in their target use, subject matter and kinds of users. One of them is a popular Open Street Map (Wikipedia) working in collaboration with GPS system. Private users can enter new data items into the existing Internet maps concerning historical urban development and significant cultural events, famous ancient monuments, spectacular contemporary buildings and artworks, shopping centres etc, as well as traffic intensity indicators (Bonenberg, 2009). The recent results in the field of digital techniques enable us not only to describe but also visually model the urban space through hypermedia functions.
\n\t\t\t\tOne of the most difficult challenges is collecting and storing digital data in the place where they come into existence as well as creating an opportunity to use multimedia information on the city in the real space. It is possible thanks to Dataspace The term coined by prof. T. Imielinski, Department of Computer Science Rutgers University, USA
The urban space recognition and mental mapping based on hypermedia may be meant both for action (especially useful for travellers) and for knowledge, as they combine space and mental organisation by relating maps and projects to the images of urban areas, and documents on social history - to their cultural background (Gallet-Blanchard & Martinet, 2002). The information is available through interface elements such as windows, animations, texts referring to urban spaces as well as interchangeable pictures representing historical and contemporary maps or photos taken by users. The social participation in the creation of hypermedia maps is achieved by interactivity of form and contents in these media. Hypermedia programs on urban history like the CD-ROM Georgian Cities (Gallet-Blanchard & Martinet, 2002) or Kyoto Virtual Time-Space The research programme is conducted at the Ritsumeikan University by interdiscyplinary teem Kyoto Art Entertainment Innovation Research within the framework of the 21st Century COE (Center of Excellence) Research Program.
Contemporary hypermedia are a tool of meta-perception. The cyberspace itself, though, constitutes a new virtual maze which requires new tools of recognition.
\n\t\t\tVisual art is an artwork that appeals primarily to the visual sense and typically exists in permanent form, such as traditional plastic art (drawing, painting, sculpture, printmaking) and modern visual art like photography, video, filmmaking, computer art etc.) as well as architecture, design and crafts. The term public art (Taborska, 1996; Goldstein, 2005; Finkelpearl, 2000) refers actually to works of art in any media that have been designed and performed with the specific intention of being sited or staged in physical public domain, usually external and accessible to all. http://en.wikipedia.org/wiki/Public_art
Since the ancient times monuments and memorials have been present in public spaces, emphasising the centrality of important sacral and secular places. However, the public sculptures primarily served representative and propagating goals. The notion ‘public art’, as an alternative to elite gallery art, emerged in 1960s, and its aim was to revitalise urban space. Gradually, the most characteristic feature of public art became an opportunity to express current issues and to communicate with its exposition places (Miles, 1997; Kwon 2002; Rendell, 2006) and its recipients (Lacy, 1995). The example of the Pompidou Centre in Paris (designed by R. Piano, R. Rogers and P. Rice, and constructed from 1971 to 1977), which is a masterpiece itself, proves that both permanent and temporary artworks, like happenings, installations and even street theatres, contribute to the place identity creation. The Street Art, which arose from a need of free artistic expression on the public forum, although not everywhere socially accepted, is also a material of building the image of a place(Schwartzman, 1985). ‘Street artists’ attempt to have their work communicate with common people about socially relevant themes without being imprisoned by aesthetic values.
\n\t\t\t\tDetermining the role of public art requires considering fashions and trends which have influenced it throughout various periods. In the 1970s and 1980s public art intersected with performance art, conceptual art, installation art, land art, process art, community-based art, and site-specific art. Thus, some art interpretations, sometimes quite remote from the Kantian idea of universally recognised beauty, have appeared, such as Suzane Lacey’s ‘new genre public art’ \n\t\t\t\t\t\t\tLacy, S. (1995). Mapping the Terrain: New Genre Public Art. Bay Press, Seattle.
This and the following paragraphs are partially based on author’s previous publication: Januchta-Szostak A. (2007). Methodology of Visual Art Localization in Public Spaces on Example of Poznan City
\n\t\t\t\t\tIn the 20th century, the time of unification of mass building and cultural patterns, art in the public domain took on a very responsible role of creating the important spatial tags and building identity of the place. Art always stands in opposition to standardization Prof. Włodzimierz Dreszer said that “art is anti-thesis of standard“ in: Dreszer W. (2007) Przestrzenie wyróżnione krajobrazu kulturowego, (in:) Sztuka projektowania krajobrazu, pp. 15-19
The 20th and 21st centuries abound in spectacular examples of architectural icons which have become not only the reference points, but also the aim of cultural tourism (Pearson, 2006), such as artworks by Frank O. Gehry (e.g.: Guggenheim Museum, Bilbao), Daniel Libeskind (the Jewish Museum in Berlin), Peter Eisenman (e.g.: Memorial to the Murdered Jews in Europe, Berlin), Santiago Calatrava (e.g. The City of Art and Science, Valencia), Renzo Piano (e.g.: New Metropolis in Amsterdam, Cultural Centre in Noumea-New Caledonia), Bernard Tschumi (e.g. Park de la Villette, Paris), Enric Miralles (e.g. Iqualada Cementary, Barcelona) and many others. Jane Rendell, in her recent book Art and Architecture: a Space Between, analyses significant works created by both artists and architects that seek to blur traditional boundaries between the fields.
\n\t\t\t\tMany artists claim that it is the lack of function which differs architecture from art. Rendell takes issue with that opinion, saying that “art is functional in providing certain kinds of tools for self-reflection, critical thinking and social change”(Rendell, 2006, pp.3-4). Moreover, there is also architecture without any utilitarian functions – Folly, which is only a decorative accent. Its contemporary example is the Park de la Villette, where Bernard Tschumi in 1982 constructed thirty-five architectural follies.
\n\t\t\t\tSince art has abandoned galleries, it may have gained a range of influence and expression which is comparable to architectural one. An open outdoor space gives the artists freedom of large works creation incorporating even natural environment (e.g. Richard Long, Robert Smithson, Anthony Gormley, Andy Goldsworthy et al.). Permanent works of art integrated with architecture and landscape design were sometimes included in urban development program like in the case of the new city of Milton Keyens in England, designated as a new town at the end of 1960s.
\n\t\t\t\tThe process of shaping the townscape happens on every level of perception: from panorama, dominated by land forms or high-rise objects; through architectural and sculpture compositions organizing space of squares and streets; to human-size sculptures familiar to pedestrians or even urban details. Regardless of its size, the characteristic feature of any artwork is its unique form which makes it stand out from the surroundings. Some forms of visual art are dominant, others constitute only accents in urban enclosure, some carry historical or cultural message, others provoke or intrigue by modern form, raising admiration or consternation, nevertheless, they do individualize the urban space, becoming important spatial tags facilitating orientation and navigation as well as anchor-points on mental maps of the inhabitants and tourists.
\n\t\t\tChritian Norberg-Schultz (1999, p.223) remarks that the purpose of a piece of art is to retain and convey existential meanings while a human, through perception and understanding the symbol, exposes themselves to an act of identification which consequently gives some meaning to their individual existence. He also emphasizes that the meaning revealed by art in a particular place also determines the character of the place.
\n\t\t\t\tThe unique works of famous architects and artists can now be found in every part of the global village. However, not all of them are able to experience genius loci and transform it into art language without losing historical continuity as well as cultural and spatial coherence. Some of spectacular objects, such as Richard Serra’s Tilted Arc Richard Serra’s massive, wall-like steel sculpture was removed from Federal Plaza, New York, in 1989.
Unlike permanent artworks, temporary open air sculpture exhibitions and artistic happenings are transient phenomena, which do not seem to be regarded as permanent points of mental references. However, such short-time but repeatable and intensive events can contribute to building the cultural image and identity of their location places. For example, Pompidou Centre in Paris, or Malta Lake in Poznan are commonly associated with cultural events.
\n\t\t\t\tThe significance of commemorative art, highlighted by many authors (Crinson, 2005), provides the urban space with the historical continuity and integrates local communities. Sculptural architecture of some monuments and memorials, such as the Jewish Museum by D. Libeskind and the Memorial to the Murdered Jews in Europe by P. Eisenman, both located in Berlin – once Nazism’s capital, constitute a worldwide symbol of collective memory. Their expressive form and size is as total as Holocaust and shredded like its victims’ individual tragedies. The spatial arrangement of the memorials allows gathering and alienation at the same time.
\n\t\t\t\tCollective participation in commemoration events builds the feeling of integration based on cultural membership, historical consciousness and social bonds resulting from common moral values. In the post-communist countries like Poland, though, an attitude towards commemorative monuments is ambivalent due to the political changes. The decisive historical transformation of ideology resulted in demonstrations and pulling down monuments, which was a kind of collective manifesto also integrating its participants.
\n\t\t\t\tThe effect of social integration can be achieved via public art by different means: 1) collective participation in commemoration events; 2) spatial arrangement of interactive artworks, which encourages interpersonal relations; 3) social engagement and collaboration on cultural projects.
\n\t\t\tThe ‘site-specific’ art is one of many trends set in the second half of the 20th century, however, it has special significance for urban space recognition and spatial arrangement of public places as it deals with urban context. Most of contemporary architects, landscape architects and urban designers attach a lot of importance to architectural context mapping, while artists emphasise the individual expression, autonomy and universality of art.
\n\t\t\t\tThe art of architecture is always ‘site-specific’, even though some creators, like Rem Koolhaas Refering to Rem Koolhaas\' s slogan: "Fuck the Context"!, in: Koolhaas, R. & Mau, B. (1995) S,M,L,XL. Monacelli Press, pp. 495-516, New York
Miwon Kwon (2002) describes the unstable relationship between location and identity as well as controversies around ‘site-specific’ artworks created by John Ahearn, Richard Serra, and others. It is worth mentioning that in 1970s and 1980s site-specific approaches to public art were promoted and registered within the guidelines of national and state organizations in the United States ”[…] even though site-specific modes of artistic practice emerged in the late mid 1960s – roughly coinciding with the inception of the Art-in-Architecture Program of the General Services Administration (GSA) in 1963, the Art-in-Public Places Program of the National Endowment for the Arts (NEA) in 1967, and numerous local and state Percent for Art programs throughout the 1960s – it was not until 1974 that concern to promote site-specific approaches to public art” Kwon, M. (2002), pp. 56-63.
An ecological trend within \'site-specific\' art is also worth mentioning, though it is certainly a subject for a separate publication. Represented by a German artist, Herbert Dreiseitl, it involves creating sculpture and water compositions, introducing rainwater retention, infiltration and recirculation (e.g. Potsdamer Platz in Berlin; Tanner Springs Park in Portland, USA). The variety of water forms and their psychological interactions are also crucial for raising the quality of urban space both in aesthetic and symbolic aspects (Dreiseitl et al., 2001).
\n\t\t\t\tIn 1993 Suzanne Lacy initiated the program “Culture in Action: New Public Art in Chicago”. The new approach, that broke with previous models of ‘site-specificity’, was described by Ch. Sperandio as ‘community-specific’, and by M.J. Jacob as both ‘issue-specific’ and ‘audience-specific’ art. It has changed the meaning of public art from the art-in-public-places into the real public-art focused on freedom of expression and active participation of citizens in the artworks creation. Many artists acting at the intersection of art and cultural activism, such as Helen and Newton Harrison, Suzanne Lacy, Stephen Willats, have been developing new forms of creative dialogue with diverse audiences. For the ‘new genre public art’, aesthetical form was only a medium of socially and politically relevant content.
\n\t\t\tThe mutual relations between the perception of metropolis and the development of media have been frequently studied The subject have been studied by such authos as: McLuhan, 1964; Jenks, 1995; Burgin, 1996; Gallet-Blanchard & Martinet, 2002; McCullough, 2004, Tribe & Jana, 2006 and many others.
In the light of ‘new genre public art’, mass as new media are a perfect tool of communication with the general public. However, some kinds of ‘audience –specific’ art were considered as the art of space unification. Large-size billboards and video installations were often deprived of the name of art as they conveyed the same contents regardless of their localization. Most of west European cities have already solved the problem with billboards located in historical downtowns. In Polish cities, though, there is still an ongoing campaign on exposition area between architecture and sculpture on the one hand and different forms of commercial, advertising art on the other.
\n\t\t\t\tSince the video art was born in 1970s it has been exploring alternative strategies of adopting existing urban forms as sites of artistic intervention. The artworks by pioneers of video installation, such as Nam June Paik, Gary Hill, Tony Oursler, Sam Taylor-Wood, seemed to be as controversial as Marcel Duchamp’s provocative “Fountain“, or Cambell’s “Soup can“.
\n\t\t\t\tHowever, a remarkable progress in digital technology allowed to create large-size, interactive video sculptures, like the Crown Fountain (design by Jaume Plensa, 2004) located in Millenium Park, in Chicago. The fountain is composed of two 15.2 m tall, cubicoid, towers covered with light-emitting-diodes (LEDs) and a black granite reflecting pool placed between them. From time to time the giant LED-screens display enlarged faces of anonymous citizens of Chicago. The Crown Fountain, however controversial in size, is an excellent example of ‘community-specific’ and socially integrating piece of art. It was praised for its entertainment and artistic features as well as highly accessible spatial arrangement of a common gathering place allowing physical interaction between the public, media and the water.
\n\t\t\t\tAt the beginning of 21st century IT specialists and artists noticed an immense creative potential of digital technologies and computer- aided design programs (McCullough, 2004) as well as common accessibility of hyper media. Internet became a new public space for artworks creation, exposition and discussion. The spatial consequence of the approach to creation process and its results is breaking with the monopoly of museums and art galleries as the exclusive places of interacting with art. New Media Art (Tribe & Jana, 2006), as an artistic trend, suggests uniting computer graphics with animation, interactive technologies, computer robotics as well as biotechnology in order to gain new quality in art. The results of work of such artists as Wolf Vostell, John Maeda, Eduardo Kac, show directions of artistic development by means of new media (Bonenberg, 2009).
\n\t\t\tThe subject of research conveyed by the author in Poznan was the quality of public areas and possibilities of making them more attractive by introducing monuments and water elements. The activities of municipal authorities consist only in looking for a decent location for the piece of art. The lack of cultural planning guidance made the author search for the art-location methodology enabling not only to improve the visual quality of public places but also to raise the recognisability and ‘imagebility’ of the city.
\n\t\t\tOne of the first research tasks was creating typology of objects and defining their role in functional and spatial structure of the city. The parallel task was connected with finding the main areas for city image creation. There are three questions frequently arising, which the research was supposed to answer:
\n\t\t\tWhich public places are the most important and suitable ones for visual art location?
How to arrange those areas to raise the significance, aesthetic and functional values as well as social attractiveness of the public places?
What can be the role of visual art forms in different types of urban space?
The process of searching for optimal locations for various types of sculptures as well as spatial arrangement of “outdoor rooms”, was divided into three stages, presented by the scheme (Fig.1)
\n\t\tThe typology of public art, from the perspective of artistic composition, is considerably wider than the one presented below. However, for the purpose of the research on the public
\n\t\t\tThe analysis of possibilities of visual art location in public domain of Poznan city – main tasks and stages of research
places quality improvement, conveyed by the author in Poznan, several different types of sculptures and water objects were singled out. They differ in manner of placing, compositional values, function, size and their social role. That typology is a kind of pigeonholing, which many of artists would rather avoid, but it seems to be important for creating the planning guidelines for cultural mapping.
\n\t\tAs the public works of art engage in a dialogue with the community and the place, the two main criteria: ‘viewing popularity’ and ‘rank of the place’, appeared to be crucial for determining zones of their location. Initially, the entire area of the city was subjected to the analysis, in order to define the most important public places of the city. Because of high concentration of pedestrian zones and location of the main areas of city image creation, the analysis was subsequently narrowed to the downtown.
\n\t\t\t\tThe ‘space recognition map’ was created on the basis of mental mapping method. Students of architecture and citizens of Poznan were asked to select the most frequently visited places as well as the most important ones (in their opinion). As a result, over 120 public places were indicated in the downtown area and subsequently subjected to preliminary selection. The evaluation of public places in accordance with the accepted criteria, was conducted with the use of graphic and statistic methods. The main and sub-criteria, prepared for Poznan city and listed in Table 3, reflect particular aspects of the analysis.
\n\t\t\t\tTable 1. | \n\t\t\t\t\t\t\tDetermination of type of object | \n\t\t\t\t\t\t|||||
A. Object placing | \n\t\t\t\t\t\t\tDirection: directed at one side, two sides, multi-side/in the round | \n\t\t\t\t\t\t|||||
Availability: available, unavailable, penetrative | \n\t\t\t\t\t\t||||||
Composition: culminating, leading, stopping, closing, framing, scattered | \n\t\t\t\t\t\t||||||
Arrangement: enabling gatherings or/and alienation | \n\t\t\t\t\t\t||||||
Combination: integrated with building, water element, greenery, urban floor | \n\t\t\t\t\t\t||||||
Duration: permanent or temporary exposition | \n\t\t\t\t\t\t||||||
B. Form of sculpture and water element | \n\t\t\t\t\t\t\tone-object, multi-object | \n\t\t\t\t\t\t|||||
compact, diffused, transparent | \n\t\t\t\t\t\t||||||
vertical, horizontal, spherical | \n\t\t\t\t\t\t||||||
figurative, symbolic, abstract, realistic, transformed, graphical, textual | \n\t\t\t\t\t\t||||||
geometric, organic, combined, | \n\t\t\t\t\t\t||||||
static, dynamic, kinetic, interactive | \n\t\t\t\t\t\t||||||
site-specific, universal, audience-specific | \n\t\t\t\t\t\t||||||
sacral, secular | \n\t\t\t\t\t\t||||||
C. Function of sculpture elements | \n\t\t\t\t\t\t\tculture building: commemorative, provocative, self-reflective, socially/politically engaged | \n\t\t\t\t\t\t|||||
compositional, decorative, | \n\t\t\t\t\t\t||||||
informative, educational | \n\t\t\t\t\t\t||||||
advertising | \n\t\t\t\t\t\t||||||
entertaining | \n\t\t\t\t\t\t||||||
integrating, disintegrating, | \n\t\t\t\t\t\t||||||
D. Function of water elements | \n\t\t\t\t\t\t\tcomposition, decoration, used for foreground or background exposition | \n\t\t\t\t\t\t|||||
symbolic | \n\t\t\t\t\t\t||||||
serving active or passive entertainment, | \n\t\t\t\t\t\t||||||
integrating, disintegrating/ separating (moat) | \n\t\t\t\t\t\t||||||
water retention and infiltration | \n\t\t\t\t\t\t||||||
ecological | \n\t\t\t\t\t\t||||||
climatic | \n\t\t\t\t\t\t||||||
utilitarian (e.g. water source, ) | \n\t\t\t\t\t\t||||||
E. Size of the object | \n\t\t\t\t\t\t\tEstimated size of vertical dimension in comparison to human size | \n\t\t\t\t\t\t\tThe ratio of height of the object to the height of urban walls | \n\t\t\t\t\t\t\tEstimated size of horizontal dimension | \n\t\t\t\t\t\t|||
XL | \n\t\t\t\t\t\t\tover 6 m | \n\t\t\t\t\t\t\tVXL | \n\t\t\t\t\t\t\t1: 1 and over | \n\t\t\t\t\t\t\tHXL | \n\t\t\t\t\t\t\tover 50% of the floor size | \n\t\t\t\t\t\t|
L | \n\t\t\t\t\t\t\t4 ÷ 6 m | \n\t\t\t\t\t\t\tVL | \n\t\t\t\t\t\t\t1: 1,5 1: 2 | \n\t\t\t\t\t\t\tHL | \n\t\t\t\t\t\t\t31 50% | \n\t\t\t\t\t\t|
M | \n\t\t\t\t\t\t\t2 4 m | \n\t\t\t\t\t\t\tVM | \n\t\t\t\t\t\t\t1: 2 1: 4 | \n\t\t\t\t\t\t\tHM | \n\t\t\t\t\t\t\t11 30% | \n\t\t\t\t\t\t|
S | \n\t\t\t\t\t\t\t1 2 m | \n\t\t\t\t\t\t\tVS | \n\t\t\t\t\t\t\t1: 5 1: 9 | \n\t\t\t\t\t\t\tHS | \n\t\t\t\t\t\t\t1 10% | \n\t\t\t\t\t\t|
XS | \n\t\t\t\t\t\t\tup to 1 m | \n\t\t\t\t\t\t\tVXS | \n\t\t\t\t\t\t\tless than 1: 10 | \n\t\t\t\t\t\t\tHXS | \n\t\t\t\t\t\t\tless than 1% | \n\t\t\t\t\t\t
Typology of sculpture and water elements
\n\t\t\t\t\t\t\t\t | \n\t\t\t\t\t\t
The use of typology of sculpture an water elements on examples of existing objects
Basic criteria | \n\t\t\t\t\t\t\tSub - criteria | \n\t\t\t\t\t\t\tElements of functional-spatial structure of the city | \n\t\t\t\t\t\t\tRatio of importance | \n\t\t\t\t\t\t
Viewing popularity | \n\t\t\t\t\t\t\tConnection with main transportation routs | \n\t\t\t\t\t\t\t1.1. vehicles (transportation arteries, main and collective streets) | \n\t\t\t\t\t\t\tO1.1. = 1 | \n\t\t\t\t\t\t
1.2. public transport- train, bus and tram stations | \n\t\t\t\t\t\t\tO1.2 = 1,2 | \n\t\t\t\t\t\t||
1.3. pedestrians ( main streets, shopping routes) | \n\t\t\t\t\t\t\tO1.3 = 1,5 | \n\t\t\t\t\t\t||
1.4. important cycling paths | \n\t\t\t\t\t\t\tO1.4 = 1 | \n\t\t\t\t\t\t||
1.5. water ways | \n\t\t\t\t\t\t\tO1.5 = 0,7 | \n\t\t\t\t\t\t||
Connection with main tourist routes | \n\t\t\t\t\t\t\t2.1. The Royal-Imperial Track | \n\t\t\t\t\t\t\tO2.1 = 1 | \n\t\t\t\t\t\t|
2.2. Piastowski Route | \n\t\t\t\t\t\t\tO2.2 = 0.5 | \n\t\t\t\t\t\t||
Main areas of services concentration | \n\t\t\t\t\t\t\t3.1. the city center | \n\t\t\t\t\t\t\tO3.1 = 1 | \n\t\t\t\t\t\t|
3.2. centers of districts and main shopping streets | \n\t\t\t\t\t\t\tO3.2 = 1 | \n\t\t\t\t\t\t||
3.3. PIF, university campuses | \n\t\t\t\t\t\t\tO3.3 = 1 | \n\t\t\t\t\t\t||
Rank of the place | \n\t\t\t\t\t\t\tThe zone of historical development | \n\t\t\t\t\t\t\t1. the core of the city | \n\t\t\t\t\t\t\tR 1.1 = 2 | \n\t\t\t\t\t\t
2. 19th century districts | \n\t\t\t\t\t\t\tR 1.2 = 1 | \n\t\t\t\t\t\t||
3. remaining areas (20th century) | \n\t\t\t\t\t\t\tR 1.3 = 0,5 | \n\t\t\t\t\t\t||
Main areas of the city image creation | \n\t\t\t\t\t\t\t1. the axis of the city (The Royal-Imperial Track and its zone of influence) | \n\t\t\t\t\t\t\tR 2.1 = 1,5 | \n\t\t\t\t\t\t|
2. the city “gates” (Central Station-PIF, river harbor-historical center, Malta-sport center, airport) | \n\t\t\t\t\t\t\tR 2.2 = 1,2 | \n\t\t\t\t\t\t||
3. the city’s “lounge” – representative streets | \n\t\t\t\t\t\t\tR 2.3 = 1 | \n\t\t\t\t\t\t||
Quality of urban space | \n\t\t\t\t\t\t\t1. zones of historical structures under law protection | \n\t\t\t\t\t\t\tR 3.1 = 1 | \n\t\t\t\t\t\t|
2. high concentration of antique buildings | \n\t\t\t\t\t\t\tR 3.2 = 1 | \n\t\t\t\t\t\t||
3. areas of exceptional landscape values | \n\t\t\t\t\t\t\tR 3.3 = 1 | \n\t\t\t\t\t\t||
Neighborhood of public cultural and administration institutions | \n\t\t\t\t\t\t\t1 of international, national and regional importance | \n\t\t\t\t\t\t\tR 4.1 = 1,2 | \n\t\t\t\t\t\t|
2. of city importance | \n\t\t\t\t\t\t\tR 4.2 = 1 | \n\t\t\t\t\t\t||
3. of district importance | \n\t\t\t\t\t\t\tR 4.3 = 0,7 | \n\t\t\t\t\t\t
Multi-criterion analysis for Poznan city
Poznan - areas of the highest viewing popularity – synthesis
Poznan - areas of the highest rank of the place – synthesis
After evaluation and preliminary selection, 60 public places (streets, squares, parks, river banks etc.), located in the zones of the highest importance, were described in “The Catalogue of Public Places in Poznan”. Information about all individual public places included the description of their location, neighbourhood, spatial layout and function, short SWOT analysis as well as the preliminary estimation of their capabilities for locating monuments and water elements. All the public places were evaluated in accordance with the criteria multiplied by the ratio of importance to objectify the decision-taking process.
\n\t\t\t\tMental maps have shown formal and informal paths and nodes, which people value most. The comparison of the areas with the results of unbiased analysis of expositional potential of the downtown made it possible not only to determine the best location sites for artworks, but also for ‘wounded spaces’ whose expositional potential has not been used due to the lack of decision concerning their final spatial shape. These areas of high importance, frequently situated in the very centre of the city, although constitute the key elements of urban structure as well as nodal points of the main tourist routes, have remained neglected and couldn’t be taken into consideration because of low visual qualities. From the social point of view, it was interesting to compare the above schemes (Fig. 13 and Fig. 14) with a map of crisis facts occurrence (e.g. high rate of unemployment, poverty, delinquency, among others), which are commonly observed in the downtown area. The comparison showed that some of the areas which are not eagerly visited and socially degraded are still mentally important and constitute essential reference points in the city’s structure.
\n\t\t\t\tIt is also significant that all the transportation arteries having the best spatial exposure were lined with advertising boards, which depreciate architectural values of the places not only by aggressive colours and unified contents but also by covering valuable views. It would be, therefore, advisable to substitute the advertising objects with sculptures in order to emphasize and individualize the entrances to the city, particularly in transportation nodal points. Considering perceptive capabilities of drivers and the scale of road infrastructure, large size works of art would be recommended.
\n\t\t\tThe comparison of mental map, presenting the main nodes and paths selected by Poznan citizens, and space recognition map, describing spatial quality of the most important areas of Poznan City.
Selected public places having the best expositional values were subjected to spatial and functional analysis in accordance with the detailed criteria described in Table 3. The analysis and evaluation of the quality and ‘imageability’ of urban enclosures covered a variety of aspects and values, namely, historical, cultural, compositional, aesthetical, functional and social ones as well as the transportation and zoning system. Special attention was paid to expositional and compositional values, complexity of spatial structures, the quality of architecture as well as historical and cultural meaning of each place and their social integrating capabilities.
\n\t\t\t\tType of analysis | \n\t\t\t\t\t\t\tDetailed criteria | \n\t\t\t\t\t\t\tSelected illustrations: the case study of K. Marcinkowski Alley in Poznań | \n\t\t\t\t\t\t|
Historical and cultural values: | \n\t\t\t\t\t\t\thistorical background: important events and people | \n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t | \n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t | \n\t\t\t\t\t\t
previous image of a place | \n\t\t\t\t\t\t|||
location of antique objects and their significance | \n\t\t\t\t\t\t|||
cultural institutions and events | \n\t\t\t\t\t\t|||
social integrating capabilities | \n\t\t\t\t\t\t|||
Functionaland social values | \n\t\t\t\t\t\t\tFunctional and transportation zones | \n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t | \n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t | \n\t\t\t\t\t\t
communicational accessibility and inconvenience | \n\t\t\t\t\t\t|||
social acceptance an problems | \n\t\t\t\t\t\t|||
important public institutions | \n\t\t\t\t\t\t|||
shopping streets and service centres | \n\t\t\t\t\t\t|||
Architectural and aesthetic values: | \n\t\t\t\t\t\t\tcomplexity of spatial structures | \n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t | \n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t | \n\t\t\t\t\t\t
spatial layout enabling to localize elements of urban detail | \n\t\t\t\t\t\t|||
quality of urban walls, floor and „furniture” | \n\t\t\t\t\t\t|||
size and proportions | \n\t\t\t\t\t\t|||
visual quality of the enclosure | \n\t\t\t\t\t\t|||
Exposition and compositional values: | \n\t\t\t\t\t\t\tvisual sequences impression | \n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t | \n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t | \n\t\t\t\t\t\t
the number of focal points and length of axis | \n\t\t\t\t\t\t|||
potential places for locating visual accents | \n\t\t\t\t\t\t|||
size of exposition field | \n\t\t\t\t\t\t|||
quality of background exposition | \n\t\t\t\t\t\t|||
differences in heights of fields | \n\t\t\t\t\t\t|||
scale and proportions of an object | \n\t\t\t\t\t\t
The criteria of the analysis and evaluation of the quality and ‘imegeability’ of urban interiors and expositional capabilities for particular public sites
The evaluation of the visual quality and ‘imageability’ of C. Ratajski Square in Poznan
The analysis of the exposition capabilities of C. Ratajski Square in Poznan
The analysis of visual sequences impression and spatial proportions of C. Ratajski Square in Poznan
Majority of the selected urban interiors are situated in the downtown zone of Poznan and constitute the heritage conservation areas. The significance of the places for shaping the city’s image made it necessary to determine specific guidelines for their arrangement, considering the lines of urban walls and building height as well as the material and colours of front elevations, the form of the urban floor, greenery and ’furniture’, which would be synchronised with the artworks.
\n\t\t\t\tThe authorities of Poznan were interested in defining the most suitable type of sculpture and water elements’ composition for each place, which was necessary in order to establish the conditions for architectural or artistic contest for the spatial form of public art elements and to create guidelines for master plans. However, the research project was extended also by analyzing the role of public visual art in urban space recognition and searching for the most appropriate locations for the place-specific and audience-specific art. The comparison of the viewing popularity research results with some elements determining the rank of particular places and their historical significance was the indicator of the suitable locations for various types of artworks. For example, the communication nodes of the main transportation arteries, as the transit corridors, need landmarks in the form of large scale, ‘site-specific’ sculptures adjusted to the perception of moving observers. The city gates, like the airport, bus and railway stations constitute a proper location for the ‘audience-specific’ artworks highlighting the identity of the city. The size of the objects is always dependent on the distance of perception and proportions of particular urban enclosure. Permanent or temporary human-size sculptures, communicating with observers (provocative, entertaining or socially/politically engaged), accompanied by leading or culminating water forms could be located in commercial centres and along the main shopping streets. While the city ‘lounges’ as well as the squares of high historical significance seem to be suitable for commemorative monuments and memorials, which enable gatherings.
\n\t\t\tExemplary concept of localizing a sculpture accompanied by water forms in urban enclosure – C. Ratajski Square in Poznan
Localisation, form and function as well as transfer of contents of artworks play an important role in the process of raising the attractiveness of public spaces and making townscape more individual. It can be a crucial element of visual information system, local community integration factor and the way of building up the identity of public domain.
\n\t\t\tThe presented analysis concentrates mostly on possibilities of artwork location in the most valuable public places. However, another important field of further research seems to be ‘wounded-spaces’ regeneration. In the research on downtown structure only ‘visually-wounded-spaces’ were singled out. A number of ‘socially-wounded-spaces’ suffer from a phenomenon of identity crisis which shows in the lack of identification of their inhabitants with their place of living. According to the research by British and American specialists, public art can be a significant factor of social integration and activation consequently facilitating the way of perceiving urban space by its inhabitants as their own one, anchored on their mental maps.
\n\t\t\tThe process of transferring public life to virtual reality indicates the need for another stage of research which should be creating a hyper-medial map of Poznan as a modern virtual reflection of multi-layer and multi-aspect processes of perception and recognition of the city space (meta-perception). Its interdisciplinary character would allow the insight both into individual layers of urban structure, districts as well as particular places, buildings and significant artworks. Interactive dataspace (with different layers of the urban structure and network of links to information and images of public space in their historical, present and future shape) should make it possible to add and comment on the information by cyberspace users and use the information in real, physical space. Hyper-media map would allow to assess the recognisability of particular areas and their quality, according to residents and tourists, as well as verify their viewing popularity on the basis of page view numbers. It would also allow to evaluate the existing and appraise the designed artworks’ locations in public places thanks to virtual visualisations.
\n\t\tSeveral problems might arise when producing secondary metabolites using both spontaneous and cultivated plants or parts of plants. If the material for extraction is collected by spontaneous plants, the major risk is related to the impoverishment of resources and biodiversity, consequently. Although natural ecosystems are usually rich in officinal plants that can be used by humans, an excessive collection of spontaneous flora can act as a direct cause of biodiversity loss [1, 2]. Currently, it is estimated that at least 50,000 plant species are used, which in the majority of cases grow spontaneously, however, sometimes products come from specific cultivation. Based on what was reported by the 2020 edition of the State of the World’s Plants and Fungi [3], climate change is threatening two-fifths of the plants currently known; this value is doubled compared to what observed in 2016 and, among these, species are included many medicinal plants used both as a natural remedy and for drug production. According to such data collection that involved 210 scientists and 42 countries, over 140,000 plants should be classified as under extinction threat, including 730 medicinal plants. Among known species, 5500 medicinal plants can be found and approximately 13% of these are under extinction threat [4]. Concerning the most vulnerable plants, we can mention
A large number of species belonging to the plant kingdom have always coexisted on Earth, over the years they have created a great heritage of biodiversity. Plants have always been a primary source of sustenance for herbivorous and omnivorous animals including the human species, the latter, however, over time, has realized the possibility of using plant biomass to also obtain substances to be utilized in various effective ways, for example as medication or food supplements.
Western medical culture can be traced back to the Sumerian Nippur tablets of 3000 BC on which the names of medicinal herbs are reported. The first known writing on the subject is a papyrus (1552 BC), dating back to an Egyptian dynasty. It features numerous herbal formulas and, between magic and medicine, even invocations to ward off disease and a catalog of plants, minerals, magical amulets, and useful spells. It is based on more than 500 plants, nearly a third of which are still found in today’s Western pharmacopoeias.
The most famous Egyptian physician was Imhotep (Memphis around 2500 BC) whose “materia medica” included practices to reduce head and thoracic trauma, wound care, prevention, treatment of infections, and principles of hygiene.
The first Chinese manual of materia medica, Shennong Ben Cao Jing (Emperor Shennong’s classic Materia medica), written in the first century, describes 365 medicines, 252 derived from herbs.
Ancient literature also provided the manuscript “Recipes for fifty-two foods,” the longest medical text found in the Chinese tomb of Mawangdui, (168 BC), the Wushi’er Bingfang (9950 characters). It along with others shows the early development of Chinese medicine while subsequent generations have developed Yaoxing Lun, a “Treatise on the Nature of Medicinal Herbs.”
Ayurveda is the traditional medicine in India that emphasizes plant-based treatments, hygiene, and the balance of the state of the body. The Indian Materia Medica included knowledge of plants, the place of its growth, the methods of conservation, and the duration of the collected materials; includes also directions for extracting juices, powders, cold infusions, and extracts.
Later in Greece, it was Hippocrates, a philosopher known as the father of medicine, who in 460 BC founded a school focused on the necessity to discover the causes of disease to combat them. His treatises, aphorisms, and prognostics, in addition to describing 265 drugs, supported the importance of diet for the treatment of diseases.
Theophrastus (390–280 BC), a disciple of Aristotle’s, historically known as the “father of botany,” wrote the treatise Historia Plantarium, the first attempt to classify plants and botanical morphology in Greece with details of medicinal herbs and concoctions based on them.
Later Galen, philosopher, physician, pharmacist, and prolific writer of medical matters, collected the medical knowledge of his time in an extensive report and wrote on the structure of organs, the impulse and its association with respiration, arteries, and blood circulation, and the uses of the “Theriac” “In treatises such as on Theriac to Piso, on Theriac to Pamphilius, and on Antidotes, Galen identified in the Teriaca a compound of 64 ingredients, which can be defined as a polypharmaceutical, suitable for treating every known disease.” His work rediscovered in the fifteenth century became the authority on medicine and healing for the next two centuries.
The Greek physician Dioscorides treated medical questions in five volumes, entitled Περὶ ὕλης ἰατρικῆς in Greek and De Materia Medica in Latin; they include about 500 plants and direct observations of the plants and the effects that the various drugs have had on patients. De Materia Medica was the first extensive drug system comprising a 1000 natural drugs (products for most basic plants). The classification used by Dioscorides is of an elementary type even if he uses a botanical taxonomy. The books written by Dioscorides on medicinal herbs of history are considered the precursors of the modern pharmacopeia remaining in use until the 1600s.
Active principles synthesized through secondary metabolites act as a defense strategy, playing an active role in plant ecophysiology against herbivores, attacks by pathogens but also as a response to abiotic stress, and competition with other plants; at the same time, they play a crucial role in attracting beneficial organisms, such as symbionts and pollinators. Recently, several studies on “secondary metabolism” highlighted additional features related to these molecules, which make them essential for the organism that produces them as they provide useful information on quality and on specific features of a range of raw materials, both of animal and vegetal origin as well as on food produced with them [6, 7]. As a matter of fact, the secondary metabolites pool is often influenced by specific environmental conditions, for instance, in the case of essential oil profile; for this reason, secondary metabolite products in essential oils may provide important support in acquiring valuable information on their origin.
Unlike primary metabolites that are stable in concentration and chemical structure, ensuring cell structural and functional integrity, secondary metabolites show a “high degree of freedom” as far as these aspects are concerned [8, 9].
Due to an enormous diversity in structure and intraspecific variability, biosynthesis in secondary metabolites is limited to definite groups of plants and thus they are not ubiquitous. Synthesis in secondary metabolites was selected when during evolution such compounds managed to respond to specific needs by vegetal organisms [10]. This is the case, for instance, of the variation of scents and colors in flowers to attract pollinators and promote and increase efficiency in pollination [11].
Secondary metabolism-derived molecules are released in the environment through different mechanisms, among others we can mention volatilization that leads to a dispersion of substances such as ethylene and sesquiterpenes that can be absorbed by surrounding plants directly through the soil or atmosphere; lisciviation, instead, promotes the release of substances, such as sugar, amino acids, alkaloids, fatty acids, terpenoids, and phenolic acids, from the aerial part of the plant through hydrosolubility caused by rain or fog. Other mechanisms promoting dispersion are 40 exudation and decomposition.
The activity of substances released also depends on the physiological and nutritional status of plants and environmental abiotic factors, such as light, rain, and temperature [12].
During the nineteenth century, chemists showed interest in the study of secondary metabolism and metabolites, concerning especially drugs, poison, aromatizers, and industrial products, all representing as a whole the final products of metabolic pathways or networks of these; actually, more than 200,000 are known to date.
Recently, potential roles of secondary products at the cell level that have been identified are—plant growth regulation, gene expression modulation, and compounds involved in signal transduction [13, 14]. Hence, while for centuries secondary metabolites have been used in traditional medicine, nowadays, they act as valuable pharmaceutical, cosmetic, chemical compounds, and nutraceuticals in the recent past [15].
Active principles can be divided into three big molecule families based on the biosynthesis pathways from which they are originated—terpenoids and steroids, alkaloids and phenolics [15].
These are the most recurrent compounds; lipid molecules synthesized starting from acetyl CoA or from glycolysis intermediates reaching a total of 35,000, abundant in essential oils, resins, rubber, volatile molecules, scented, colorless, soluble in oil or highly lipophilic solutions, and inflammable. They function as protectors for wood tissues, exert antibacterial effects, are responsible for insect attraction and repulsion, as well as represent the base material for vegetal hormones or pigments (chlorophyll and carotenoids) synthesis; they also take part in the mitochondrial electron transport and plastoquinone.
These molecules, which accumulate nitrogen becoming an important source of it, are produced by approximately 20% of plants; more than 20,000 different alkaloids are known and are synthesized principally from amino acids.
They play an important role as an advanced chemical defense system of plants under predators’ pressure (larvae, insects, herbivores, mammals). They work as antibiotics and pesticides with a deterrent action to prevent plants from being ingested.
Alkaloids used as drugs, poison, with stimulating and narcotizing effects were used even by Greek and Romans, such as atropine (
Secondary plant metabolites belonging to the big family of polyphenols [16], having mostly hydrosoluble characteristics. They represent one of the main classes of secondary metabolites that includes a wide range of highly heterogeneous substances having all in common an aromatic ring. They are formed through the biosynthesis pathway of shikimic or mevalonic acids; a total of 15,000 are known and represent a group of substances easily occurring in superior plants; the most common cinnamic acid derivatives are caffeic, p-Coumaric, ferulic, gallic, and synaptic acids.
Compounds of different colors accumulate especially in aerial plant organs (stems, leaves, flowers, and fruits) rather than in roots; such a preferred location is related to a light-induced effect on phenolic metabolism; besides, phenolic compounds play a protective role against UV that are successfully absorbed and accumulated into leaves epidermis to avoid damage caused to cell DNA [16]. They influence the color, generally yellow, of flowers and fruits where they can be found as glycosides diluted in cell juice except for anthocyanidines and their glucosides (anthocyanins) that are red, purple, or blue depending on the pH of cell juice [17]. The flavonoids content in plants depends not only on the genotype but is also closely related to environmental conditions especially by light radiation such as UV; the latter, in fact, induces a significant increase of flavonoids in leaves [18, 19].
Flavonoids and phenolic acids are the most important antioxidants in the diet and can be found also in tea, wine, and beer [8].
They are considered pharmacologically active compounds having anti-inflammatory activity, active against liver injury due to hepatotoxicity, and acting as antitumoral, antimicrobials, antivirals, enzyme inhibitors, antioxidants, protect against capillary fragility, as well as playing a role as insect repellents and signaling in plant-organism interactions.
In the recent past, the most common use involving the antioxidant properties has been represented by the “scavenger” activity exerted by a series of enzymes, such as dismutase, superoxide, catalase, glutathione peroxidase; they play a role in halting the radical reaction cascade causing acceleration of cell senescence processes.
Among multiple biological activities exerted by these secondary metabolism molecules, we highlight the role of antioxidants against aging, such as in the case of cocoa (
The high variety of phenolic structures shows the same amount of function diversification—they can play a role as low molecular weight flower pigments, antibiotics, and anti-UV screens.
Likewise, elicitation on a secondary metabolic pathway by a pathogen can lead to
Antioxidants can be defined as any substance that is able to delay or significantly inhibit oxidation in a specific substrate even if it shows a really low concentration compared to the oxidable substrate [20]. Nutrition plays a crucial role in ensuring the efficacy of antioxidant enzyme defenses—many essential oligoelements, such as selenium, copper, manganese, and zinc, are involved in the molecular structure or in the catalytic activity of these enzymes. The main antioxidant compounds in food are—ascorbic acid (vitamin C), tocopherols (vitamin E), carotenoids, flavonoids.
Over the years, pharmaceutical companies have been focusing on antioxidant compounds from food to promote healthy properties of food as available data show that an increase in oxidant intake from natural sources, specifically from fruit and vegetables, may have a beneficial effect on disease prevention. Their production can be effectively achieved through
Secondary metabolites can be produced
Cultures of vegetal tissues (Figure 1) or isolated cells (Figure 2) are inoculated in sterile conditions starting from explants, such as leaves, stems, meristems, roots, buds, callus (Figure 3) both for multiplication and secondary metabolite production. Production can take place in more than one tissue.
Culture of shoots on liquid substrate.
Cell suspension culture.
Isolated callus on solidified medium.
Depending on the species, biomass production can be initiated from an undifferentiated callus or cell suspension. In other cases, sprouts, roots, and somatic embryos can be cultured. Using differentiated tissues or organs is crucial when the requested metabolite is produced in specific plant tissue or organ or also in specialized glands such as in the case of essential oils [24, 25]. Although different studies showed efficacy in secondary metabolite production through cultures of differentiated tissues and callus, the technique mostly used is cell suspension [22, 23, 26, 27]. The latter is a culture of cells isolated in a liquid medium that exploits cell totipotency for large-scale production. Each cell, in fact, keeps the biosynthesis ability of the plant and under the right conditions can produce metabolites identical to the ones produced by the mother plant. Furthermore, it can be noticed that cell cultures have greater and faster potential application to the market compared to other production methods [25, 28]. This technique ensures the continuous production of metabolites of interest while offering an elevated quality standard and product uniformity. In addition, it is possible through biotechnology applications to produce new metabolites not synthesized by the mother plant [29, 30]. Currently, different metabolites with an interesting market value are produced using cell suspension culture, such as taxol [31, 32], resveratrol [33], artemisinin [34], ginsenosides [35], raubasine [36].
Among differentiated tissues, hairy roots should be highlighted as they enable the production of secondary metabolites from a considerable number of plants.
Hairy roots are formed in nature on plants following an infection caused by
Agrobacterium can transfer genetic information to plants inducing transformations. Once the infection takes place, a plasmid fragment called T-DNA can be integrated into the plant nuclear DNA where genes are integrated. The composition and organization of T-DNA sequences vary considerably. As some cT-DNA genes show strong growth effects when expressed in other species, they can also influence the growth of natural transformants. However, there is still a need to fully identify the mechanisms through which these genes alter growth models and their regulation by promoters and plant transcription factors [38]. Among the advantages of such a technique, we can mention the high level of cell differentiation, rapid growth, relatively easy production, genetic, and biochemical stability. It should also be taken into consideration the potential accumulation of secondary metabolites in the aerial part of the plant. However, technical problems might arise in cultivation systems for the market [37].
The process can involve both cells and elicitors. They are bound inside a matrix through trapping, absorption, or covalent bonding. The system must be integrated with an adequate substrate as in the case of cultures of suspended cells, as well as regulating chemical and physical parameters, such as pH and temperature.
In a system of this kind, secondary metabolites must be released by cells in the culture media naturally or through induced secretion. One of the advantages of this methodology is the potential stabilization of a continuous production process through the adoption of a specific system of bioreactors.
Generally, the substrate contains mineral elements formed by macro and microelements and an organic component formed by vitamins, amino acids, and other nitrogen components as well as carbohydrates. There are different substrates that can play a specific role in achieving different objectives, as a consequence of the concentration of specific substances contained in them, such as those indicated, for example, in Table 1.
Macro and microelements | MS (mg/L) | WPM (mg/L) | B5 (mg/L) | NN (mg/L) |
---|---|---|---|---|
Ammonium nitrate | 1650.000 | 400.000 | 720.000 | |
Boric acid | 6.200 | 6.200 | 3.000 | 10.000 |
Anhydrous calcium chloride | 332.200 | 72.500 | 113.24 | |
Cobalt chloride hexahydrate 6H2O | 0.025 | 0.025 | ||
Tripotassium phosphate | 170.000 | 170.000 | 130.500 | 68.000 |
Potassium iodide | 0.830 | 0.750 | ||
Sodium molybdate 2H2O | 0.250 | 0.250 | 0.250 | 0.250 |
Calcium nitrate | 386.000 | |||
Potassium nitrate | 1900.000 | 2500.000 | 950.000 | |
Ammonium sulfate | 134.000 | |||
Iron sulfate·7H2O | 27.800 | 27.800 | 27.850 | 27.850 |
Anhydrous magnesium sulfate | 180.700 | 180.700 | 122.09 | 90.340 |
Manganese sulfate·H2O | 16.900 | 22.300 | 10.000 | 18.940 |
Potassium sulfate | 990.000 | |||
Copper sulfate 5H2O | 0.025 | 0.250 | 0.025 | 0.025 |
Zinc sulfate 7H2O | 8.600 | 8.600 | 2.000 | 10.000 |
VITAMINS | ||||
Folate | 0.500 | |||
Nicotinic acid | 0.500 | 0.500 | 1.000 | 5.000 |
Biotin | 0.050 | |||
Myo-inositol | 100.000 | 100.000 | 100.000 | 100.000 |
Pyridoxine·HCl | 0.500 | 0.500 | 1.000 | 0.500 |
Thiamine·HCl | 0.100 | 1.00 | 10.000 | 0.500 |
OTHER ADDITIVES | ||||
Disodium EDTA (·2H2O) | 37.260 | 37.300 | 37.250 | 37.250 |
Glycine | 2.000 | 2.000 | 2.000 |
The choice of an appropriate substrate should be based on the following [43]:
the type of ions contained
macroelements balance
total ionic concentration of medium
Microelements are used in small quantities; lack of such elements causes specific symptoms as they intervene in plant metabolism; they are integrated into enzymes. Some microelements can influence the production of secondary metabolites, acting as elicitors [44].
Hormones carry out an essential role as growth regulators in plants [45, 46]. The need to add growth regulators to substrates is based on the fact that normal tissues or small organs placed
Among known hormones mostly utilized we can find:
Auxin: Natural auxin is Indole-3-acetic acid (IAA, 3-IAA); in substrates for
IBA (Indole-3-butyric acid), the most commonly used;
NAA (1-Naphthaleneacetic acid);
2,4 D (2,4-Dichlorophenoxyacetic acid).
Natural auxins are added in variable quantities (0.01–10 mg/l) and the synthetic ones are added in quantities between 0.001 and 10 mg/l, determining—elongation and tissue distension, cell division, adventitious roots formation [47, 48].
Cytokines: Natural cytokinins are as follows:
Kinetin (N6-Furfuryladenine, 6-Furfurylaminopurine)
Zeatin [6-(4-Hydroxy-3-methylbut-2-enylamino)purine]
2Ip [N6-(2-Isopentenyl)adenine]
Cytokines are used in concentrations between 1 and 10 mg/l to stimulate cell division, stimulate adventitious buds production from tissues or from callus, and growth of somatic embryos, to induce the development of axillary buds. In addition, cytokines inhibit root development [49].
Gibberellins: Among gibberellins, the most used is GA3 (gibberellic acid) which promotes internode elongation, meristem, and bud development while inhibiting the formation of roots; thus, it is employed in subsequent phases after planting [50, 51].
pH: Another factor essential for a cultural substrate is pH as its value influences—salt solubility, elements absorption, and substrate solidification; for these reasons, the pH range is quite limited ranging from 5.2 to 5.8. As far as secondary metabolites are concerned, optimal ranges are established both for pH and temperature according to the cultured species.
To achieve secondary metabolite production, elicitation is one of the most important strategies and is used to increase productivity; it takes place through the addition of compounds called elicitors—they can be defined as stress-inducing compounds that induce or improve biosynthesis of specific compounds when a specific amount is applied to a living system [52, 53].
Elicitors can be biotic, such as jasmonic acid, hydrolyzed casein, cellulase, macerozyme, yeast extract, fungal extract, chitin; in addition, chemical compounds usually synthesized from pathogens; abiotic elicitors that include nonorganic substances and can be divided into physical, chemical, and hormonal factors (Figure 4) [53, 54].
Classification of elicitor based on different features.
In cell suspension, depending on environmental parameters and on bioreactor features, the development of cells cultured on the liquid substrate is based on specific phases illustrated in Figure 5. The graph shows time (horizontal axis) and cell number (vertical axis). At the beginning a slow-growth phase is shown, known as lag phase followed by a phase in which cell concentration grows based on a logarithmic scale, log phase; then a second slow-growth phase occurs followed by a phase in which the culture is numerically constant indicated as a plateau or steady state.
Growth curve of a cell suspension culture.
During the latency phase, reduced growth and an accumulation of substances useful for cell development occur, while during the exponential growth phase a considerable biomass increase can be observed. In a discontinue culture, in the case that cells accumulate metabolites in vacuoles, the biomass is removed at the end of the exponential phase; during the stationary phase a balance occurs between new cells and dead cells, then secondary metabolites are excreted in culture media. In this case, the collection is carried out by replacing from time to time or continuously the culture media.
In the production of high-value secondary metabolites, a good strategy is offered by the use of technologies that ensure elevated yield and stable over time. It should be underlined that the production of secondary metabolites from plants is genotype-dependent and this fact influences both metabolite type and quantity. Mother plants can be selected to a first selection to identify plants that ensure also
The output can also be increased through conventional systems or metabolic engineering methodologies [22, 96].
By using metabolic engineering, the biosynthesis pathways can be studied more efficiently [97, 98] through studying gene overexpression that alterates pathways. The study design includes analysis of enzyme reactions and biosynthesis processes at genetic, transcriptomic, and proteomic levels; in addition, it is also studied the manipulation of genes that encode critical enzymes and those that regulate the speed in the biosynthesis pathways [99, 100]. However, to date this system is limited to experimental settings and no method has been identified yet for industrial transfer of such methodology. Currently, the study of the biosynthesis pathway in phenylpropanol seems to be one of the most promising given that this substance is involved in the biosynthesis of different secondary metabolites in plants [101, 102].
Culture parameters are among the factors that mostly influence secondary metabolite production—substrate composition both in terms of mineral and organic compounds; pH; characteristics of cell inoculation; physical parameters, such as temperature, light intensity, duration, shaking, and aeration [22, 23, 27]. The substrate should be selected based on the requirements of plant species. Each substrate parameter can be modified to better adjust to the species and to metabolites to be obtained by it—salt type and concentration, carbon source, growth regulators. In nature, secondary metabolites production is in response to environmental stimuli, or for defensive purposes. This mechanism can be simulated in the laboratory through the modification of the culture parameters, for example, light, temperature, or through the use of substances called elicitors. To elicitors belong both organic and inorganic molecules, such as methyl jasmonate, salicylic acid, microbial cell wall extracts (e.g., yeast extract, chitosan), inorganic salts, heavy metals, physical agents (e.g., UV radiation) among others (Tables 2 and 3).
Elicitor | Plant species | Culture | Compound | References |
---|---|---|---|---|
Ozone (O3) | Shoot | Rosmarinic acid | [55] | |
Cell suspension | Hypericin | [56] | ||
Cell suspension | Puerarin | [57] | ||
pH | Shoot | Bacoside A | [58, 59] | |
Hairy root | Withanolide A | [60] | ||
Cell suspension | Withanolide A | [61] | ||
Sucrose | Seedling | Hypericin and pseudohypericin | [62] | |
Cell suspension | Paclitaxel | [63] | ||
Shoot | Bacoside A | [58, 59] | ||
Cell suspension | Withanolide A | [61] | ||
Ultraviolet C | Cell suspension | Stilbene | [64] | |
Proline | Callus and suspension | Steviol glycoside | [65] | |
Polyethylene glycol | Callus and suspension | Steviol glycoside | [65] | |
Seedling | Hypericin and pseudohypericin | [62] | ||
Jasmonic acid | Shoot | Bacoside A | [66] | |
Hairy root | Plumbagin | [67] | ||
Cell suspension | Plumbagin | [68] | ||
Methyl jasmonate | Hairy root | Tanshinone | [69] | |
Adventitious roots | Cryptotanshinone and tanshinone IIA | [70] | ||
Cell suspension | Stilbene | [64] | ||
Shoot | Bacoside | [66] | ||
Shoot | Diterpenoid | [71] | ||
Cell suspension | Silymarin | [72] | ||
Hairy root | Tanshinone | [73] | ||
Cell suspension | Gymnemic acid | [74] | ||
Hairy roots | Withanolide A, withanone, and withaferin A | [75] | ||
Cell suspension | Andrographolide | [76] | ||
Cell suspension | trans-Resveratrol | [77] | ||
Root | Glycyrrhizic acid | [78] | ||
Gibberellic acid | Hairy root | Tanshinones | [79] | |
Hairy root | Caffeic acid derivatives | [80] | ||
Salicylic acid | Hairy root | Tanshinone | [69] | |
Cell suspension | Stilbene | [64] | ||
Shoot | Digitoxin | [81] | ||
Shoot | Hypericin and pseudohypericin | [82] | ||
Cell suspension | Gymnemic acid | [74] | ||
Hairy root | Withanolide A, withanone, and withaferin A | [75] | ||
Root | Hyoscyamine and scopolamine | [83] | ||
Adventitious root | Glycyrrhizic acid | [84] | ||
Sodium salicylate | Shoot | Carnosol | [85] | |
Sodium chloride | Embryogenic tissues | Vinblastine and vincristine | [86] | |
Sorbitol | Adventitious roots | Cryptotanshinone and tanshinone IIA | [70] | |
Silver (Ag) | Adventitious roots | Cryptotanshinone and tanshinone IIA | [70] | |
Cell suspension | Resveratrol | [87] | ||
Hairy root | Tanshinone | [73] | ||
Hairy root | Atropine | [88] | ||
Cadmium (Cd) | Cell suspension | Resveratrol | [87] | |
Root | Sesquiterpenoid | [89] | ||
Cobalt (Co) | Cell suspension | Resveratrol | [87] | |
Copper (Cu) | Shoot | Xanthotoxin | [90] | |
Shoot | Bacoside | [66] | ||
Root | Sesquiterpenoid | [89] |
Abiotic elicitors.
Elicitor | Plant species | Culture | Compounds | References |
---|---|---|---|---|
Chitin | Shoot | Hypericin and pseudohypericin | [91] | |
Cell suspension | Phenylpropanoid and naphtodianthrone | [92] | ||
Cell suspension | trans-Resveratrol and viniferins | [76] | ||
Pectin | Shoot | Hypericin and pseudohypericin | [91] | |
Dextran | Shoot | Hypericin and pseudohypericin | [91] | |
Yeast extract | Adventitious roots | Cryptotanshinone and tanshinone IIA | [70] | |
Cell suspension | Plumbagin | [68] | ||
Cell suspension | Silymarin | [72] | ||
Hairy root | Tanshinone | [93] | ||
Hairy root | Thiarubrine A | [94] | ||
Hairy root | Azadirachtin | [95] | ||
Root | Glycyrrhizic acid | [78] | ||
Cell suspension | Phenylpropanoid and naphtodianthrone | [92] | ||
Cell suspension | Phenylpropanoid and naphtodianthrone | [92] | ||
Cell suspension | Phenylpropanoid and naphtodianthrone | [92] | ||
Cell suspension | Gymnemic acid | [96] | ||
Cell suspension | Gymnemic acid | [96] | ||
Cell suspension | Gymnemic acid | [96] | ||
Cell suspension | Gymnemic acid | [96] | ||
Cell suspension | Gymnemic acid | [96] | ||
Hairy root | Atropine | [88] | ||
Hairy root | Atropine | [88] | ||
Hairy root | Atropine | [88] | ||
Root | Gymnemic acid | [78] |
Biotic elicitors.
Aid to the production of new secondary metabolites, or increased production of those already known and used, can come from new technologies, such as transgenic cultures. Several works have demonstrated the safety of these technologies, and their effectiveness, at low cost, for the production of secondary metabolites for medicine and industry [103].
Focusing on biodiversity can be useful to strengthen food security and human nutrition aiming at promoting general sustainable development. Traditional crops represent an important biodiversity source and carry out a key role in preserving the identity of specific production areas as well the consumer behavior and transfer of cultural heritage to next generations. However, these cultures and foods require to be preserved from genetic erosion that can determine tragic effects on biodiversity, environmental sustainability, and rural economies.
As a matter of fact, this methodology based exclusively on a phenotypic evaluation does not allow to easily distinguish between genotype and effects on the environment. Recent methodologies based on gene markers enable us to identify species, cultivars, and autochthone varieties easily and rapidly.
Elevated costs and technical problems that might arise when the relationship between phenotype features and gene expression is studied, make the application of these methodologies often difficult. Recently, secondary metabolite analysis has been proposed as a crucial tool to identify a specific species; the metabolic profile, in fact, can lead to the identification of a huge quantity of local autochthone varieties, acting against globalization of agriculture production and being at the same time a tool to identify metabolites useful in traditional project characterization.
The parts of plants to be used for therapy, nutrition, and other activities can be obtained from spontaneous or cultivated plants; the choice of production method is mostly determined by economic factors is affordable to collect spontaneous plants when abundant and costs are relatively low, however, in case of high collection costs and lack of spontaneous plants, cultivation can be less expensive [17]. Furthermore, a lot of spontaneous plants are collected without any control and are currently under extinction threat; just a small percentage is cultivated [104]—all these factors are of concern due to the decrease and loss of gene diversity and environmental degradation. Advantages of open field cultivations are related not only to the fact that they give a solution to a lack of vegetal material available in nature, but also to the fact that the wild plant often offers a highly heterogeneous which might be at the same time inadequate in terms of continuous supply and quality standards. Production of secondary metabolites from cell cultures is a valuable option for molecules that have elevated extraction costs and low output from plant material coming from cultivation [105, 106].
For these reasons and due to the current increased demand for natural food products and drugs of natural origin, the employment of biotechnological artificial culture systems might be a good alternative to conventional cultivations for
On one hand,
Plant tissue culture is based on the principle that the same substances found in nature inside an organ, a fruit, or other plant tissues can be induced to accumulate in undifferentiated cells while keeping gene information and the ability to produce that range of active principles detected in the mother plant [108].
Multiple factors influencing
Plant cell cultures are defined also as “chemical factories for secondary metabolites” [25] and represent to date a viable alternative to the cultivation of pharmaceutical plants both from
The most important reason for pharmaceutical companies to obtain valuable secondary metabolites in this way is due to the fact that conventional cultivations in fields of pharmaceutical plants of some species are time-consuming, expensive, and generate a reduced output.
Some large-scale protocols of productions for the market have been set up for extractions of berberine, shikonin, and
Further research was performed on other secondary metabolites such as flavoring agents (i.e., vanillin produced in bioreactors from calluses explanted from
Although for the production of food from plants there is an increasing tendency toward natural agriculture, in the production of substances intended for industry, in particular the medicinal industry, a cultivated or spontaneous plant cannot always guarantee a constant and high-quality product. Pollution problems, climate change, and the political unsafe of some harvesting and cultivation areas also make production uncertain. In this situation, the production of secondary metabolites
New technologies, always evolving, can give an even greater push toward
The present work is co-financed by the RAS (Autonomous Region of Sardinia), under the Advanced Technologies for LANds management and Tools for Innovative Development of an EcoSustainable agriculture.
The authors declare no conflict of interest.
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\\n\\nThe Open Access publishing model employed by IntechOpen eliminates subscription charges and pay-per-view fees, enabling readers to access research at no cost. In order to sustain operations and keep our publications freely accessible we levy an Open Access Publishing Fee for manuscripts, which helps us cover the costs of editorial work and the production of books. Read more
\\n\\nDigital Archiving Policy
\\n\\nIntechOpen is committed to ensuring the long-term preservation and the availability of all scholarly research we publish. We employ a variety of means to enable us to deliver on our commitments to the scientific community. Apart from preservation by the Croatian National Library (for publications prior to April 18, 2018) and the British Library (for publications after April 18, 2018), our entire catalogue is preserved in the CLOCKSS archive.
\\n\\nOpen Science is transparent and accessible knowledge that is shared and developed through collaborative networks.
\\n\\nOpen Science is about increased rigour, accountability, and reproducibility for research. It is based on the principles of inclusion, fairness, equity, and sharing, and ultimately seeks to change the way research is done, who is involved and how it is valued. It aims to make research more open to participation, review/refutation, improvement and (re)use for the world to benefit.
\\n\\nOpen Science refers to doing traditional science with more transparency involved at various stages, for example by openly sharing code and data. It implies a growing set of practices - within different disciplines - aiming at:
\\n\\nWe aim at improving the quality and availability of scholarly communication by promoting and practicing:
\\n\\n\\n"}]'},components:[{type:"htmlEditorComponent",content:'
The Open Access publishing movement started in the early 2000s when academic leaders from around the world participated in the formation of the Budapest Initiative. They developed recommendations for an Open Access publishing process, “which has worked for the past decade to provide the public with unrestricted, free access to scholarly research—much of which is publicly funded. Making the research publicly available to everyone—free of charge and without most copyright and licensing restrictions—will accelerate scientific research efforts and allow authors to reach a larger number of readers” (reference: http://www.budapestopenaccessinitiative.org)
\n\nIntechOpen’s co-founders, both scientists themselves, created the company while undertaking research in robotics at Vienna University. Their goal was to spread research freely “for scientists, by scientists’ to the rest of the world via the Open Access publishing model. The company soon became a signatory of the Budapest Initiative, which currently has more than 1000 supporting organizations worldwide, ranging from universities to funders.
\n\nAt IntechOpen today, we are still as committed to working with organizations and people who care about scientific discovery, to putting the academic needs of the scientific community first, and to providing an Open Access environment where scientists can maximize their contribution to scientific advancement. By opening up access to the world’s scientific research articles and book chapters, we aim to facilitate greater opportunity for collaboration, scientific discovery and progress. We subscribe wholeheartedly to the Open Access definition:
\n\n“By “open access” to [peer-reviewed research literature], we mean its free availability on the public internet, permitting any users to read, download, copy, distribute, print, search, or link to the full texts of these articles, crawl them for indexing, pass them as data to software, or use them for any other lawful purpose, without financial, legal, or technical barriers other than those inseparable from gaining access to the internet itself. The only constraint on reproduction and distribution, and the only role for copyright in this domain, should be to give authors control over the integrity of their work and the right to be properly acknowledged and cited” (reference: http://www.budapestopenaccessinitiative.org)
\n\nOAI-PMH
\n\nAs a firm believer in the wider dissemination of knowledge, IntechOpen supports the Open Access Initiative Protocol for Metadata Harvesting (OAI-PMH Version 2.0). Read more
\n\nLicense
\n\nBook chapters published in edited volumes are distributed under the Creative Commons Attribution 3.0 Unported License (CC BY 3.0). IntechOpen upholds a very flexible Copyright Policy. There is no copyright transfer to the publisher and Authors retain exclusive copyright to their work. All Monographs/Compacts are distributed under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0). Read more
\n\nPeer Review Policies
\n\nAll scientific works are Peer Reviewed prior to publishing. Read more
\n\nOA Publishing Fees
\n\nThe Open Access publishing model employed by IntechOpen eliminates subscription charges and pay-per-view fees, enabling readers to access research at no cost. In order to sustain operations and keep our publications freely accessible we levy an Open Access Publishing Fee for manuscripts, which helps us cover the costs of editorial work and the production of books. Read more
\n\nDigital Archiving Policy
\n\nIntechOpen is committed to ensuring the long-term preservation and the availability of all scholarly research we publish. We employ a variety of means to enable us to deliver on our commitments to the scientific community. Apart from preservation by the Croatian National Library (for publications prior to April 18, 2018) and the British Library (for publications after April 18, 2018), our entire catalogue is preserved in the CLOCKSS archive.
\n\nOpen Science is transparent and accessible knowledge that is shared and developed through collaborative networks.
\n\nOpen Science is about increased rigour, accountability, and reproducibility for research. It is based on the principles of inclusion, fairness, equity, and sharing, and ultimately seeks to change the way research is done, who is involved and how it is valued. It aims to make research more open to participation, review/refutation, improvement and (re)use for the world to benefit.
\n\nOpen Science refers to doing traditional science with more transparency involved at various stages, for example by openly sharing code and data. It implies a growing set of practices - within different disciplines - aiming at:
\n\nWe aim at improving the quality and availability of scholarly communication by promoting and practicing:
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After finishing his P. hD degree in 1992, he served in the Industry as a Scientific Officer and continued his academic career as a visiting scholar for a number of educational institutions. In 1996 he joined National University of Science & Technology Pakistan (NUST) as an Associate Professor; NUST is one of the top few universities in Pakistan. In 1999 he joined an International Company Lineo Inc, Canada as Manager Compiler Group, where he headed the group for developing Compiler Tool Chain and Porting of Operating Systems for the BLACKfin processor. The processor development was a joint venture by Intel and Analog Devices. In 2002 Lineo Inc., was taken over by another company, so he joined Aalborg University Denmark as an Assistant Professor.\nProfessor Akbar has truly a multi-disciplined career and he continued his legacy and making progress in many areas of his interests both in teaching and research. 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The definition of empathy is extremely complex, and multifaceted. It is necessary to be aware of the massive variability and heterogeneity in considering empathy, autism and psychopathy. An example of this is the new concept of autism called criminal autistic psychopathy. To understand this is, to understand lethal dangerousness. This is described in two school shootings with many deaths; Columbine and Sandy Hook. Neurobiology plays a major role in understanding empathy, autism and psychopathy. 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This topic will be devoted to understanding the interplay between biomolecules and chemical compounds, their structure and function, and their potential applications in related fields. Being a part of the biochemistry discipline, the ideas and concepts that have emerged from Chemical Biology have affected other related areas. This topic will closely deal with all emerging trends in this discipline.",coverUrl:"https://cdn.intechopen.com/series_topics/covers/15.jpg",hasOnlineFirst:!0,hasPublishedBooks:!0,annualVolume:11411,editor:{id:"441442",title:"Dr.",name:"Şükrü",middleName:null,surname:"Beydemir",slug:"sukru-beydemir",fullName:"Şükrü Beydemir",profilePictureURL:"https://s3.us-east-1.amazonaws.com/intech-files/0033Y00003GsUoIQAV/Profile_Picture_1634557147521",biography:"Dr. Şükrü Beydemir obtained a BSc in Chemistry in 1995 from Yüzüncü Yıl University, MSc in Biochemistry in 1998, and PhD in Biochemistry in 2002 from Atatürk University, Turkey. 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